Thérèse Ravenaz is a charming young woman but also the victim of a seducer who abandoned her as soon as he was told she was expecting a baby. To trace her unworthy lover, she boards a taxi ...
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Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
Known as "Justice Is Done" in 1953 when it was first shown in the USA, it opens with a short briefing in English on the French jury system and then reverts to French with English subtitles.... See full summary »
Madame Rose runs a seedy hotel in a suburb of Paris. Strong-minded but without the least moral scruple, she once killed her husband whose honesty was a hindrance to her business. Under a ... See full summary »
Chark, an adventurer comes to small village in the near of a gold digger's camp. He is arrested by the local police, who accuse him of having comitted a bank robbery in a neighoured town. ... See full summary »
Dedee is a prostitute, working in Monsieur Rene's night club on Antwerp's harbour. The porter is Marco, her pimp. Dedee is not happy, until she meets Francesco, an italian sailorman. They ... See full summary »
Thérèse Langlois, who runs a small café in the suburbs of Paris, lives alone, awaiting her long lost husband. One day she thinks she recognizes him in a tramp walking past her establishment... See full summary »
After having spent all his money to fullfill the smallest wish of his wife Dora, Robert is still madly in love with her. Now, she is at agony, and her mother comes. She will reveal to ... See full summary »
In post-war Vienna, occupied by the Allies, four sergeants representing each of the occupying nations (USA, England, France, Soviet Union)patrol in the same Jeep. One day they are given the... See full summary »
Thérèse Ravenaz is a charming young woman but also the victim of a seducer who abandoned her as soon as he was told she was expecting a baby. To trace her unworthy lover, she boards a taxi driven by Emile Gauthier, a friendly cabdriver, who accepts to help her. But street after street, district after district, the seducer is nowhere to be found in Paris. And when she finally achieves the end of her quest, there is no Holy Grail. She learns the bastard is already married! Fortunately, Emile has a heart of gold... Written by
This is par excellence the kind of film which it's trendy to put disparagement on.This is par excellence the kind of film the new wavelet buffs laugh at .This is par excellence the kind of movie the educated clever people,those who know Rivette,Godard and Rohmer by heart, love to put down.(with notable exceptions of course).
Jean-Paul Le Chanois was a generous director whose humanism ,philanthropism and social concerns cannot be called into question."Sans Laisser d'Adresse" is just that: love for the human being,sympathy for the feeble.Once I wrote a comment on another Le Chanois's film "le Cas Du Docteur Laurent" .I got disastrous feedback.
Bernard Blier -as good as ever- portrays a taxi driver whose passenger, Thérèse (a moving Daniele Delorme) is looking for mister Forrestier.However this man seems nowhere to be found;so Le Chanois takes us on a tour in Paris,from an union meeting to a dentist's office ,from a paper (office) to a club in Saint-Germain-des-Prés where a young Juliette Gréco sings "la Fiancée du Prestidigitateur" (the conjurer's fiancée).And after a while we realize the man the girl's looking for is none other than a married lady killer and that she's got a baby with her ,a baby whose father....
This is popular nay populist cinema in the noblest sense of the term.The screenplay involves many many characters (as Le Chanois' s previous work "Agence Matrimoniale" did),and it's a wonder one remembers most of them after the screening for most of them's appearance does not exceed three or four minutes.
Some say the Nouvelle Vague changed all this "obsolete" art.But Julien Duvivier had already trampled his generation's principles underfoot : in "Sous le Ciel de Paris" ,the year before,he had destroyed the young-girl-coming-from-the-Provinces cliché ;and with his 1952 masterpiece "la Fete à Henriette" ,he would definitively call into question what the highbrows called the "Cinema de Papa".
That said,I watched "Sans Laisser d'Adresse" with a great pleasure.
This is the kind of movie the so-called connoisseurs of the French cinema would not even think of seeing.Don't be like them!
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