Frenchie Fontaine sells her successful business in New Orleans to come West. Her reason? Find the men who killed her father, Frank Dawson. But she only knows one of the two who did and she's determined to find out the other.
After having spent all his money to fullfill the smallest wish of his wife Dora, Robert is still madly in love with her. Now, she is at agony, and her mother comes. She will reveal to ... See full summary »
Baran, a Kurdish independence war hero, is now sheriff in Erbil, the capital city. No longer feeling useful in this society now at peace, he thinks about quitting the police force, but ... See full summary »
Middle-aged businessman, Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon's unscrupulous business rival ... See full summary »
A combination of a satire on war and a comedy with war as the background. It tells of the ordinary people living on a Naples sidestreet, from 1940 to 1950 under the dominance of the ... See full summary »
Eduardo De Filippo
Eduardo De Filippo,
Actor Pedro Armendáriz and director Roberto Gavaldón produced this strong rural melodrama, set in an iconic Mexican town, where landowners rule in a feudalistic manner (as they still do up to this day in many places). Probably Armendáriz produced the film as a reaction to his frequent casting as a passive indigenous peasant or too good loud-mouthed soldier: he is still shouting in this one, but now as Rosauro Castro, a mean and menacing tyrant who stops at nothing to control the town and its people. A moral tale written by Gavaldón and playwright José Revueltas (with dramatic elements that predate both "High Noon" and "The Man Who Shot Liberty Valance", from a story by Robert Quigley, British writer and filmmaker who frequently worked in Mexico), it starts with the killing of a candidate to mayor, and the arrival of a government official (Arturo Martínez in a rare performance as a good guy), who suspects of Castro's tyrannical ways and wants to teach the town authorities more civilized ways to administer justice. All the action takes place in 24 hours, with a highly dramatic third act, but everything is told in less than 90 satisfactory minutes.
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