| Anton Walbrook | ... | Raconteur - le meneur de jeu | |
| Simone Signoret | ... | Léocadie, la prostitutée | |
| Serge Reggiani | ... | Franz, le soldat | |
| Simone Simon | ... | Marie, la femme de chambre | |
| Daniel Gélin | ... | Alfred, le jeune homme | |
| Danielle Darrieux | ... | Emma Breitkopf, la femme mariée | |
| Fernand Gravey | ... | Charles Breitkopf, son mari | |
| Odette Joyeux | ... | Anna, la grisette | |
| Jean-Louis Barrault | ... | Robert Kuhlenkampf, le poète | |
| Isa Miranda | ... | Charlotte, le comédienne | |
| Gérard Philipe | ... | Le comte | |
| rest of cast listed alphabetically: | |||
| Jean Clarieux | ... | Le brigadier sur le banc (uncredited) | |
| Paulette Frantz | ... | Minor Role (uncredited) | |
| Jean Landier | ... | Minor Role (uncredited) | |
| René Marjac | ... | Minor Role (uncredited) | |
| Marcel Mérovée | ... | Toni (uncredited) | |
| Jean Ozenne | ... | Minor Role (uncredited) | |
| Robert Vattier | ... | Le professeur Schüller (uncredited) | |
| Jacques Vertan | ... | Minor Role (uncredited) | |
| Charles Vissière | ... | Le concierge du théatre (uncredited) | |
Directed by | |||
| Max Ophüls | |||
Writing credits | ||
| Arthur Schnitzler | (play "Reigen") | |
| Jacques Natanson | (adaptation) and | |
| Max Ophüls | (adaptation) | |
| Jacques Natanson | (dialogue) | |
Produced by | |||
| Ralph Baum | .... | producer | |
| Sacha Gordine | .... | producer | |
Original Music by | |||
| Oscar Straus | (as Oscar Strauss) | ||
Cinematography by | |||
| Christian Matras | |||
Film Editing by | |||
| Léonide Azar | |||
Production Design by | |||
| Jean d'Eaubonne | |||
Costume Design by | |||
| Georges Annenkov | |||
Makeup Department | |||
| Carmen Brel | .... | makeup artist (as Carmen Brelle) | |
Production Management | |||
| Renée Bardon | .... | unit production manager | |
| Ralph Baum | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tony Aboyantz | .... | assistant director | |
| Paul Feyder | .... | assistant director | |
Art Department | |||
| Marc Frédérix | .... | assistant production designer | |
| Alfred Marpaux | .... | assistant production designer | |
| Charles Merangel | .... | set designer | |
| Henri Vergnes | .... | set designer (as Vergne) | |
Sound Department | |||
| Pierre-Louis Calvet | .... | sound | |
Camera and Electrical Department | |||
| Ernest Bourreaud | .... | assistant camera (as E. Bourreuad) | |
| Jean-François Clair | .... | still photographer | |
| Alain Douarinou | .... | camera operator | |
| Sam Levin | .... | still photographer | |
Costume and Wardrobe Department | |||
| Marie Gromtseff | .... | assistant costume designer | |
Editorial Department | |||
| Suzanne Rondeau | .... | assistant editor (as S. Rondeau) | |
Music Department | |||
| Joe Hajos | .... | music adaptor | |
Other crew | |||
| Grégoire Geftmann | .... | administration director | |
| Lucie Lichtig | .... | script girl | |
| Noel Mouton | .... | production secretary (as Noèle Mouton) | |
| Recent Posts (updated daily) | User |
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| DVD version | asturley |
| Is that Isa Miranda's Real Voice ??? | moondog-8 |
| UK re-release date? | Kiasan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Through a series of dove-tailing love vignettes, Max Ophüls offers us an enchanting film replete with some of the greatest acting talent French cinema has known. The brevity of the individual segments of the film does not greatly impair the quality of the characterisation or acting performance, and there are some very impressive moments, particularly the scenes with Jean-Louis Barrault (best know for his role in Les Enfants du Paradis) and Simone Signoret (Les Diaboliques and Casque d'Or).
The film is surprisingly - for a film of its age - pretty explicit about the sexual proclivities of the aristocracy and military men. That a respectable middle-aged married woman should seek an amorous adventure with a man half her age, whilst her wealthy husband carries on with a young woman barely out of her teens most probably caused a few raised eyebrows when the film was released in 1950 - particularly when the film is very much in the velvet-lined mould of the traditional pre-war French romantic film.
The most impressive aspect of the film, above the great acting and splendid direction, is its humour. This is a film that is unable to take itself seriously. The mysterious raconteur (superbly played by Anton Walbrook) endeavours to keep the merry-go-round of love happily on its course, but has a few technical problems on the way. It's reassuring to know that even all-knowing deities have their off-days.
Another strong point is Oscar Straus's musical score, particularly the raconteur's merry-go-round ballad which accompanies the film throughout, not unlike the cheery music of a real merry-go-round in a fairground.
This has all the ingredients of a great film. It is a fanciful waltz across the ephemeral ballroom of love, and it succeeds admirably.