IMDb > La Ronde (1950)
La ronde
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La Ronde (1950) More at IMDbPro »La ronde (original title)

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Overview

User Rating:
7.7/10   2,627 votes »
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Up 61% in popularity this week. See why on IMDbPro.
Director:
Writers:
Arthur Schnitzler (play)
Jacques Natanson (adaptation) ...
(more)
Contact:
View company contact information for La Ronde on IMDbPro.
Release Date:
16 March 1954 (USA) See more »
Genre:
Tagline:
A Wonderful Merry-Go-Round of Love With Eleven Stars
Plot:
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening... See more » | Add synopsis »
Plot Keywords:
Awards:
Nominated for 2 Oscars. Another 3 wins See more »
User Reviews:
Superficial, slight in significance, but a charmer See more (28 total) »

Cast

  (in credits order)
Anton Walbrook ... Raconteur - le meneur de jeu

Simone Signoret ... Léocadie, la prostitutée

Serge Reggiani ... Franz, le soldat

Simone Simon ... Marie, la femme de chambre

Daniel Gélin ... Alfred, le jeune homme

Danielle Darrieux ... Emma Breitkopf, la femme mariée
Fernand Gravey ... Charles Breitkopf, son mari
Odette Joyeux ... Anna, la grisette

Jean-Louis Barrault ... Robert Kuhlenkampf, le poète

Isa Miranda ... Charlotte, le comédienne

Gérard Philipe ... Le comte
rest of cast listed alphabetically:
Jean Clarieux ... Le brigadier sur le banc (uncredited)
Paulette Frantz ... Minor Role (uncredited)
Jean Landier ... Minor Role (uncredited)
René Marjac ... Minor Role (uncredited)
Marcel Mérovée ... Toni (uncredited)
Jean Ozenne ... Minor Role (uncredited)
Robert Vattier ... Le professeur Schüller (uncredited)
Jacques Vertan ... Minor Role (uncredited)
Charles Vissières ... Le concierge du théatre (uncredited)
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Directed by
Max Ophüls 
 
Writing credits
Arthur Schnitzler (play "Reigen")

Jacques Natanson (adaptation) and
Max Ophüls (adaptation)

Jacques Natanson (dialogue)

Produced by
Ralph Baum .... producer
Sacha Gordine .... producer
 
Original Music by
Oscar Straus  (as Oscar Strauss)
 
Cinematography by
Christian Matras 
 
Film Editing by
Léonide Azar 
 
Production Design by
Jean d'Eaubonne 
 
Costume Design by
Georges Annenkov 
 
Makeup Department
Carmen Brel .... makeup artist (as Carmen Brelle)
 
Production Management
Renée Bardon .... unit production manager
Ralph Baum .... production manager
 
Second Unit Director or Assistant Director
Tony Aboyantz .... assistant director
Paul Feyder .... assistant director
 
Art Department
Marc Frédérix .... assistant production designer
Alfred Marpaux .... assistant production designer
Charles Merangel .... set designer
Henri Vergnes .... set designer (as Vergne)
 
Sound Department
Pierre-Louis Calvet .... sound
 
Camera and Electrical Department
Ernest Bourreaud .... assistant camera (as E. Bourreuad)
Jean-François Clair .... still photographer
Alain Douarinou .... camera operator
Sam Levin .... still photographer
 
Costume and Wardrobe Department
Marie Gromtseff .... assistant costume designer
 
Editorial Department
Suzanne Rondeau .... assistant editor (as S. Rondeau)
 
Music Department
Joe Hajos .... music adaptor
 
Other crew
Grégoire Geftmann .... administration director
Lucie Lichtig .... script girl
Noel Mouton .... production secretary (as Noèle Mouton)
 

Production CompaniesDistributors
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Additional Details

Also Known As:
"La ronde" - France (original title)
See more »
Runtime:
97 min | 110 min (1989 restored version) | West Germany:89 min (video)
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
Max Ophuls shot the picture entirely in the studio.See more »
Movie Connections:
Referenced in The Circle (2000)See more »
Soundtrack:
Der ReigenSee more »

FAQ

This FAQ is empty. Add the first question.
11 out of 22 people found the following review useful.
Superficial, slight in significance, but a charmer, 3 June 2003
Author: sryder@judson-il.edu from elgin, illinois

I first saw La Ronde in 1950, at an art theatre, when I was completely caught up in the concept and progression of scenes, but only a novice at critical analysis. Consequently, it was one of the first (Beta) videotapes in my collection.I viewed it again last night, for only the second time. I can understand the reactions of those, especially contemporary viewers who expect romantic scenes to be more explicit. (The French were doing that very well long before Hollywood, so the lack in this film does not result from reticence.) Yet after 53 years the film has lost little of its charm for me: (I notice that older viewers tended to rate La Ronde higher than those who are younger.) The linking device came from Schnitzler, not from the film scripter, so could hardly have been avoided, and the segments varied in quality. It seems that the actors did not take the film or themselves too seriously, which was quite appropriate. I recall that the only full-screen close-up came at the end, with Signoret as the prostitute. Was that a final comment on love itself: always exploitative and transitory; as seen in each scene, to a greater or lesser extent.

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