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La ronde (1950)
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Overview
User Rating:
Release Date:
16 March 1954 (USA) moreTagline:
A Wonderful Merry-Go-Round of Love With Eleven StarsPlot:
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening... more | add synopsisAwards:
Nominated for 2 Oscars. Another 1 win moreNewsDesk:
Legendary French Actress Simone Simon Dies in Paris(From Studio Briefing - Film News. 25 February 2005)
User Comments:
A reply to 'writers_reign' moreCast
(Credited cast)| Anton Walbrook | ... | Raconteur | |
| Simone Signoret | ... | Leocadie, the Prostitute | |
| Serge Reggiani | ... | Franz, the Soldier | |
| Simone Simon | ... | Marie, the Housemaid | |
| Daniel Gélin | ... | Alfred | |
| Danielle Darrieux | ... | Emma Breitkopf | |
| Fernand Gravey | ... | Charles Breitkopf, Emma's Husband | |
| Odette Joyeux | ... | Anna, the Grisette | |
| Jean-Louis Barrault | ... | Robert Kuhlenkampf, the Poet | |
| Isa Miranda | ... | Charlotte, the Actress | |
| Gérard Philipe | ... | The Count | |
| rest of cast listed alphabetically: | |||
| Jean Clarieux | |||
| Paulette Frantz | |||
| Marcel Mérovée | |||
| Robert Vattier | ... | Prof. Schuller | |
| Charles Vissière | |||
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
97 min | 110 min (1989 restored version)Country:
FranceLanguage:
FrenchColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
MonoCertification:
Iceland:12 | UK:A (1982) | UK:PG (1990) | UK:X (1951) (cut) | Finland:K-16 | Sweden:15Fun Stuff
Soundtrack:
Der Reigen moreFAQ
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Discuss this movie with other users on IMDb message board for La ronde (1950)| Recent Posts (updated daily) | User |
|---|---|
| Criterion September 2008 | colvinis |
| A true, sad, funny, masterpiece | zurichpoet |
| DVD version | asturley |
| Is that Isa Miranda's Real Voice ??? | moondog-8 |
| UK re-release date? | Kiasan |
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Any individual so facile, so without even the very fundamental tools of perception required to grasp the absurdity of attacking Godard's 'Style' should be quite fully dismissed, their ludicrously fecund assertions with them. Such an individual is one who can only assumed to have never watched a film by either Godard or Ophuls, lest he might have realised the supreme irrelevance of inconsequential Godardisms on a remarkable body of work. So contemptible do I find the incestuously journalistic tripe that this user feels necessary to fob off as critique that, as evidenced, I was move to address it directly, to commit the marked hypocrisy of failing to attend the work itself. You are fortunate then that several other passably fair views of the work, not one that one need think more than once about seeing at the nearest opportunity, exist on this very page.
All we need now is a decent DVD release.