IMDb > Rio Grande (1950)
Rio Grande
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Rio Grande (1950) More at IMDbPro »

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Overview

User Rating:
7.3/10   8,574 votes »
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Director:
Writers:
James Kevin McGuinness (screenplay)
James Warner Bellah (Saturday Evening Post story)
Contact:
View company contact information for Rio Grande on IMDbPro.
Release Date:
15 November 1950 (USA) See more »
Genre:
Tagline:
THE BREATHTAKING SAGA OF THE UNITED STATES CAVALRY! (original print ad - all caps) See more »
Plot:
Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches... See more » | Add synopsis »
Plot Keywords:
Awards:
1 nomination See more »
User Reviews:
Sentimental, psychological, classic movie, very unique for its genre See more (75 total) »

Cast

  (in credits order) (verified as complete)

John Wayne ... Lt. Col. Kirby Yorke

Maureen O'Hara ... Mrs. Kathleen Yorke

Ben Johnson ... Trooper Travis Tyree
Claude Jarman Jr. ... Trooper Jefferson 'Jeff' Yorke

Harry Carey Jr. ... Trooper Daniel 'Sandy' Boone

Chill Wills ... Dr. Wilkins (regimental surgeon)
J. Carrol Naish ... Lt. Gen. Philip Sheridan

Victor McLaglen ... Sgt. Maj. Timothy Quincannon
Grant Withers ... U.S. Deputy Marshal
Sons of the Pioneers ... Regimental Musicians
Peter Ortiz ... Capt. St. Jacques
Steve Pendleton ... Capt. Prescott
Karolyn Grimes ... Margaret Mary
Alberto Morin ... Lieutenant
Stan Jones ... Sergeant
Fred Kennedy ... Trooper Heinze
rest of cast listed alphabetically:

Ken Curtis ... Donnelly - Regimental Singer (uncredited)
Tommy Doss ... Regimental Singer (uncredited)
Hugh Farr ... Regimental Singer (uncredited)
Karl Farr ... Regimental Singer (uncredited)
Shug Fisher ... Regimental Singer / Bugler (uncredited)
Cliff Lyons ... Soldier (uncredited)
Lee Morgan ... (uncredited)
Jack Pennick ... Sergeant (uncredited)
Lloyd Perryman ... Regimental Singer (uncredited)
Chuck Roberson ... Officer / Indian Who Fires Arrow Into Col. York's Chest (uncredited)
Barlow Simpson ... Indian Chief (uncredited)

Patrick Wayne ... Boy (uncredited)

Directed by
John Ford 
 
Writing credits
James Kevin McGuinness (screenplay)

James Warner Bellah (Saturday Evening Post story)

Produced by
Merian C. Cooper .... producer (uncredited)
John Ford .... producer (uncredited)
 
Original Music by
Victor Young 
 
Cinematography by
Bert Glennon (director of photography)
 
Film Editing by
Jack Murray 
 
Art Direction by
Frank Hotaling 
 
Set Decoration by
John McCarthy Jr. (set decorations)
Charles S. Thompson (set decorations) (as Charles Thompson)
 
Costume Design by
Adele Palmer (costumes designed by)
 
Makeup Department
Peggy Gray .... hair stylist
Bob Mark .... makeup supervisor
 
Second Unit Director or Assistant Director
Wingate Smith .... assistant director
Cliff Lyons .... second unit director (uncredited)
 
Art Department
Dudley Holmes .... properties (as R. Dudley Holmes)
 
Sound Department
Earl Crain Sr. .... sound
Howard Wilson .... sound
 
Special Effects by
Howard Lydecker .... special effects
Theodore Lydecker .... special effects
 
Stunts
Jerry Brown .... stunts (uncredited)
Everett Creach .... stunts (uncredited)
Chuck Hayward .... stunts (uncredited)
John Hudkins .... stunts (uncredited)
Fred Kennedy .... stunts (uncredited)
Cliff Lyons .... stunts (uncredited)
Frank McGrath .... stunts (uncredited)
Chuck Roberson .... stunts (uncredited)
Bob Rose .... stunts (uncredited)
Barlow Simpson .... stunts (uncredited)
Norm Taylor .... stunt double (uncredited)
Terry Wilson .... stunts (uncredited)
Jack N. Young .... stunts (uncredited)
 
Camera and Electrical Department
Archie Stout .... second unit photography
 
Editorial Department
Barbara Ford .... assistant editor (uncredited)
 
Music Department
Sidney Cutner .... orchestrator (uncredited)
Leo Shuken .... orchestrator (uncredited)
 
Transportation Department
Norm Taylor .... driver: cavalry wagon (uncredited)
 
Other crew
D.R.O. Hatswell .... uniforms (as D.R. Overall Hatswell)
Philip Kieffer .... technical advisor (as Major Philip H. Kieffer U.S.A. Ret.)
Herbert J. Yates .... presenter
Sid Davis .... stand-in: John Wayne (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"John Ford and Merian C. Cooper's Rio Grande" - UK (complete title), USA (complete title)
See more »
Runtime:
105 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Australia:G | Finland:K-12 | Iceland:L | New Zealand:G | Norway:16 (1959) | Portugal:M/6 | Sweden:15 | UK:U | UK:U (tv rating) | UK:U (video rating) (1986) (1996) | USA:Approved (PCA #14822) | USA:Passed (The National Board of Review) | West Germany:12

Did You Know?

Trivia:
Ben Johnson (Tyree) and Victor McLaglen (Quincannon) had the same character names in both this film and She Wore a Yellow Ribbon (1949). The oddity is in "She Wore a Yellow Ribbon"--released before this one-- Johnson was an older Sergeant (who had also formerly been a Confederate Captain) and McLaglen was also older, but with a lower rank (First Sergeant instead of Sergeant Major).See more »
Goofs:
Continuity: After hearing his son's name in the new arrivals' role call, Col. Yorke comes out to speak to the troops. When he does, he puts his hat on twice.See more »
Quotes:
Lt. Col. Kirby York:At Chapultopec, my father, your grandfather, shot for cowardice the son of a United States senatorSee more »
Movie Connections:
Soundtrack:
The Girl I Left Behind MeSee more »

FAQ

This FAQ is empty. Add the first question.
37 out of 48 people found the following review useful.
Sentimental, psychological, classic movie, very unique for its genre, 24 July 2005
Author: Marcin Kukuczka from Cieszyn, Poland

Although I am not particularly fond of westerns, I saw this movie since I had heard much about it from many people. It is true that a lot of westerns show the wild lives of cowboys overdoing with cruelty. RIO GRANDE, however, is a different story. It is not only a western but a highly educational movie which combines all precious values in life, some of which do not necessarily go in harmony, including honor, love, the feeling of duty, grandeur, and psychological reflections. Moreover, as a film, it is supplied with highly prestigious cinematography, memorable music, and, most importantly, great cast. But there is something more that makes Ford's film really memorable - the characters presented very clearly. But why such a title? While watching the movie, one clearly notices that the title RIO GRANDE does not only refer to the famous river that separated the cavalrymen from Indians in Mexico, but has wider metaphorical extensions.

The characters are very well developed throughout. Lieutanant Kirby Yorke (John Wayne), a northerner, lost the family 15 years earlier but never gives up finding a chance to rebuild the old relationship with his southern wife, Kathleen (Maureen O'Hara) and their son Jeff. His "rio grande" is duties and strict orders that make a barrier for a happy life within the family. Kathleen Yorke tries to get her son out of the cavalry; however, Jeff decides to protect honor rather than his comfort. She also aims at rebuilding the family ties with Kirby but is aware that it requires much sacrifice. Their relationship is built upon a high respect for the freedom of both and a very delicate love between a man and a woman. Jeff (Claude Jarman), their son, attempts to do right and seeks for the honorable deeds. The blink of ambition in his eyes is noticeable in every scene with him. There are also other characters that the movie shows in a very psychological light (consider Travis Tyree played by Ben Johnson).

The cast give memorable performances but the pair of John Wayne and Maureen O'Hara shine above all. Wayne seems to have been born for the role and, although he played in two previous parts of John Ford's cavalry trilogy (FORT APACHE and SHE WORE A YELLOW RIBBON), he gives his best performance in RIO GRANDE. Wayne wonderfully emphasizes grandeur, feeling of duty and a husband who reflects on his past mistakes in marriage. Maureen O'Hara has something aristocratic in her behavior as well as in her appearance, which helps her portray a southern lady who used to live a rich life on a plantation. She also stresses her attempts to rebuild the past mistakes; however, she seems to be driven by completely different factors.

Music is absolutely wonderful for this genre. The ballads supply the movie with sentimental mood. Yes, they are deadly sentimental, but they in no way make you sad but rather lifted to high emotions. Here comes to my mind a very poetic scene when Wayne and O'Hara are serenaded by troop soldiers on one moonlit night. Their faces strongly express profound emotions and nostalgia for the better life together. This is so well played that anybody who sees the pair will be able to deduce some reflections from their faces.

Some people said that the Apaches are showed as real monsters in RIO GRANDE. It is important to state here that they are showed exactly in the way they were perceived rather than what they were really like. These were very "wild" tribes in the eyes of the white people and that is what the film shows. As a matter of fact, both the Apaches and the cavalrymen defended their values and John Ford did not forget about it.

And coming back to the thrilling atmosphere of the movie, there is one more aspect that needs to be mentioned - the locations. The Monument Valley supplies the scenes with authenticity as well as drives viewers into a wonderful mood. It simply leaves an unfading trace in memory as do the cast, the content, and everything about RIO GRANDE.

What to say at the end?... The last part of Ford's cavalry trilogy, though 55 years old, is a classic attempt to bring all that is valuable onto screen - HISTORY MEETS SINGLE INDIVIDUALS! Aren't our lives constructed in such a way that we all have our own "rio grande", such a barrier that closes us from happiness? I leave this universal question open to every open minded reader as John Ford implicitly did more than 50 years ago to every open minded viewer. Anyway, the film is unarguably worth seeing!

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