Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
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Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is in charge of training of new recruits one of which is his son whom he hasn't seen in 15 years. He whips him into shape to take on the Apaches but not before his mother shows up to take him out of there.The decision to leave is left up to Trooper Yorke who decides to stay and fight. Through it all Kirby and Kathleen though separated for years fall back into love and decide that it's time to give it another try. But Yorke faces his toughest battle when his unorthodox plan to outwit the elusive Apaches leads to possible court- martial. Locked in a bloody Indian war, he must fight to redeem his honor and save the love and lives of his broken family Written by
Christopher D. Ryan <firstname.lastname@example.org>
Rio Grande, the last of John Ford's 'Calvary Trilogy' is a triumphant paen to the US Calvary and a great romance between John Wayne and Maureen O'Hara and a wonderful showcase of the great character actors who are at the heart of all Ford's films. This movie has drama, romance, beautiful photography and great music by the Son's of the Pioneers. Their version of the "Down by the Glenside" still sends chills up my spine as well as tears to Victor McLaglen, the redoubtable Sergent Major timothy Quincannon and Wayne's ever present comrade in arms from, the bloody Shenendoah campaign of the Civil War, when they burned down the estranged Mrs. Yorke's beloved Bridesdale. The country that had lately been torn apart, was being brought together as former Johnny Rebs like Travis Tyree (Ben Johnson)and Yankees like Lt.Col. Kirby Yorke fought together along America's western frontier. A wonderful screen chemistry between Wayne and O'hara, and some understated, economic emoting, rather than sappiness or corn make this a distinguished film, a highlight of Ford's great career.
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