| John Ireland | ... | Johnny Callum | |
| Ann Dvorak | ... | Susan (Sue) Ellen Younger | |
| Henry Hull | ... | Hank Younger | |
| Reed Hadley | ... | Frank James | |
| Hugh O'Brian | ... | Lem Younger | |
| Clifton Young | ... | Bob Ford | |
| Tommy Noonan | ... | Charlie Ford (as Tom Noonan) | |
| Victor Kilian | ... | Westfield Sheriff Rigby | |
| Margia Dean | ... | Marge | |
| Sid Melton | ... | Saloon Waiter-Piano Player | |
| Byron Foulger | ... | Rufe Dakin | |
| Paul Maxey | ... | Elmer Galway | |
| Peter Marshall | ... | George | |
| Norman Leavitt | ... | Dr. Hallstrom | |
| Barbara Woodell | ... | Ann--Frank's Wife | |
| I. Stanford Jolley | ... | Commissioner Morton | |
| Robin Short | ... | Gang Member | |
| Jay Barney | ... | Cap'n Andy Milburn | |
| Hank Patterson | ... | Clay County Marshal | |
| rest of cast listed alphabetically: | |||
| Victor Adamson | ... | Clay County Townsman (uncredited) | |
| Bob Burns | ... | Clay County Townsman (uncredited) | |
| Rube Dalroy | ... | Clay County Townsman (uncredited) | |
| Sam Flint | ... | Jeweller (uncredited) | |
| Al Haskell | ... | Ford Saloon Barfly (uncredited) | |
| Jack Hendricks | ... | Gang Member (uncredited) | |
| Herbert Heywood | ... | Frank James' Neighbor (uncredited) | |
| Earle Hodgins | ... | Mason County Sheriff (uncredited) | |
| Lew Morphy | ... | Townsman (uncredited) | |
| Frank O'Connor | ... | First Doctor (uncredited) | |
| George Plues | ... | Gang Member (uncredited) | |
| Tom Smith | ... | Clay County Townsman (uncredited) | |
| Jack Tornek | ... | Ford Saloon Barfly (uncredited) | |
| Henry Wills | ... | Gang Member (uncredited) | |
Directed by | |||
| Arthur Hilton | (as Arthur David Hilton) | ||
Writing credits(in alphabetical order) | ||
| Carl K. Hittleman | story | |
| Jack Natteford | screenplay | |
Produced by | |||
| Carl K. Hittleman | .... | producer | |
Original Music by | |||
| Ferde Grofé Sr. | (as Ferde Grofé) | ||
Cinematography by | |||
| Karl Struss | (director of photography) | ||
Film Editing by | |||
| Harry Coswick | |||
Casting by | |||
| Yolanda Molinari | (as Yolando Molinari) | ||
Art Direction by | |||
| Frank Paul Sylos | (as F. Paul Sylos) | ||
Set Decoration by | |||
| Vin Taylor | (as Vincent Taylor) | ||
Makeup Department | |||
| Loretta Bickel | .... | hair stylist (uncredited) | |
| Ted Coodley | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Eddie Davis | .... | assistant director | |
Sound Department | |||
| John R. Carter | .... | sound engineer (as John Carter) | |
Special Effects by | |||
| Ray Mercer | .... | special effects | |
Stunts | |||
| John Daheim | .... | stunt double: Hugh O'Brian (uncredited) | |
| Carol Henry | .... | stunt double (uncredited) | |
| Henry Wills | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Walter Dalton | .... | grip (uncredited) | |
| James Knott | .... | camera operator (uncredited) | |
| Tommy Lee | .... | gaffer (uncredited) | |
| Buddy Longworth | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Alfred Berke | .... | wardrobe | |
| Kitty Mager | .... | wardrobe (as Kitty Major) | |
Music Department | |||
| Albert Glasser | .... | musical director | |
Other crew | |||
| Dorothy B. Cormack | .... | script supervisor | |
| E.R. Hickson | .... | technical advisor | |
| Robert L. Lippert | .... | presenter | |
| William Magginetti | .... | unit business manager | |
| Les Mitchel | .... | executive assistant | |
| Wandra Ramsey | .... | script supervisor (uncredited) | |
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| Fighting Man of the Plains | Gunfire | Jesse James Rides Again | I Shot Jesse James | Song of the Buckaroo |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
Interesting idea of a Jesse James lookalike trying to resurrect his identity to pull jobs. Reed Hadley is sufficiently stoic as Frank James, hunting down the bogus Jesse to preserve the real Jesse's reputation. Ireland gives his generally professional performance, hinting broadly at his character's complexity. But in the second half, this fine premise degenerates quickly into a run-of-the mill oater. 5/10.