IMDb > Rashomon (1950)
Rashômon
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Rashomon (1950) More at IMDbPro »Rashômon (original title)

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Overview

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8.4/10   85,994 votes »
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Director:
Writers:
Ryûnosuke Akutagawa (stories)
Akira Kurosawa (screenplay) ...
(more)
Contact:
View company contact information for Rashomon on IMDbPro.
Release Date:
26 December 1951 (USA) See more »
Genre:
Tagline:
The husband, the wife...or the bandit? See more »
Plot:
A heinous crime and its aftermath are recalled from differing points of view. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for Oscar. Another 10 wins & 2 nominations See more »
User Reviews:
A brilliant masterpiece from a masterful director See more (256 total) »

Cast

  (in credits order) (verified as complete)

Directed by
Akira Kurosawa 
 
Writing credits
Ryûnosuke Akutagawa (stories Rashomon and In a Grove)

Akira Kurosawa (screenplay) and
Shinobu Hashimoto (screenplay)

Produced by
Minoru Jingo .... producer
Masaichi Nagata .... executive producer
 
Original Music by
Fumio Hayasaka 
 
Cinematography by
Kazuo Miyagawa 
 
Film Editing by
Akira Kurosawa 
 
Production Design by
Takashi Matsuyama 
 
Set Decoration by
H. Motsumoto 
 
Second Unit Director or Assistant Director
Tokuzô Tanaka .... assistant director
Mitsuo Wakasugi .... assistant director
 
Visual Effects by
Aurelio x. Vera Jr. .... restoration artist (restored version)
 
Camera and Electrical Department
Fujio Morita .... assistant camera
Kenichi Okamoto .... lighting technician
 
Other crew
Teruyo Nogami .... script supervisor
François Vila .... press agent
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Rashômon" - Japan (original title)
See more »
Runtime:
88 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)

Did You Know?

Trivia:
In his autobiography, Akira Kurosawa recalled that one of the biggest problems his crew encountered while filming in the forest was that slugs kept dropping out of the trees onto their heads. The cast and crew had to constantly slather themselves with salt to keep the slugs off.See more »
Quotes:
Priest:A man's been murdered.
Commoner:So what? Only one? Why, up on top of this gate, there's always five or six bodies. No one worries about them.
See more »
Movie Connections:
Featured in Kurosawa: The Last Emperor (1999) (TV)See more »

FAQ

What is a "Rashômon"?
Is Rashomon based on two stories?
What movies are inspired from or similar to Rashomon?
See more »
75 out of 87 people found the following review useful.
A brilliant masterpiece from a masterful director, 8 April 2006
Author: MovieAddict2014 from UK

"Rashomon" was Akira Kurosawa's first national hit (becoming, at the time, the highest-grossing foreign film in America) and even gained an Oscar for Best Foreign Film, but almost sixty years later it still hasn't lost any of its impact. It is widely revered as one of the most influential films of all-time, but unlike some other movies, it is not a film that feels dated. The revolutionary methods of Kurosawa are still effective and on-par with the cinema of today -- this isn't a movie where you say, "Yeah, fifty years ago it might have been different, but now it's done in all the movies." Kurosawa's techniques are still superior to most of his imitators. Look at the 2003 John McTiernan film, "Basic," which copies a good portion of "Rashomon's" concept. Which is the better film? It's not a hard choice.

The film begins under a structure which reads "Rashomon" on its exterior, in a small Japanese village. It's raining outside and a woodcutter (Takashi Shumura) and a priest (Minoru Chiaki) inadvertently find themselves in the company of a wandering commoner (Kichijiro Ueda), and as he asks them what is the matter they both begin to relay the most horrific story they claim to know -- of a brutal murder a few days prior.

Kurosawa then switches to flashback and we see three different versions of the exact same event -- the slaying of an innocent man (the murderer played by Kurosawa film regular Toshirô Mifune) in the woods outside the village. Was it because of lust? Betrayal? Envy? Or insanity? We hear from the murderer, the wife of the victim, and a woman channeling the spirit of the dead man.

"Rashomon" is brilliant. Some people have complained that the ending is a cop-out and sentimental hogwash, but I think Kurosawa was fond of sentimentality to a point (he uses a good deal of it in "Ikiru") but the difference between what he does with sentimentality as opposed to many filmmakers of today is that he uses to to ENRICH the story, not provide an easy solution to all the problems.

Is there resolution in the finale of "Rashomon"? To a degree. But, like "Ikiru," it also leaves an open answer to its audience -- this film questions us, and our humanity, and it says something about the human condition and our weaknesses as a species. Yet it also proposes that along with the evil is an inherent good, and in my opinion the message of "Rashomon" is just as important and effective as its film-making techniques and acting.

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Some flaws I saw in Rashomon... mr Marble
Where the hell did all those threads vanish? mevmijaumau
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Rashomon Reconsidered - Unreliable Narrators billheron53
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