A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called Rashômon. The priest and the woodcutter are recounting the story of a murdered samurai whose body the woodcutter discovered three days earlier in a forest grove. Both were summoned to testify at the murder trial, the priest who ran into the samurai and his wife traveling through the forest just before the murder occurred. Three other people who testified at the trial are supposedly the only direct witnesses: a notorious bandit named Tajômaru, who allegedly murdered the samurai and raped his wife; the white veil cloaked wife of the samurai; and the samurai himself who testifies through the use of a medium. The three tell a similarly structured story - that Tajômaru kidnapped and bound the samurai so that he could rape the wife - but which ultimately contradict each other, the motivations and the actual killing being what differ. The woodcutter reveals at Rashômon that he ... Written by
Often credited as the reason the Academy created the "Best Foreign Film" category. See more »
Well, men are only men. That's why they lie. They can't tell the truth, even to themselves.
That may be true. Because men are weak, they lie to deceive themselves.
Not another sermon! I don't mind a lie if it's interesting.
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Rashomon by Akira is probably one of his very best, from his storytelling to the visuals, the picture is amazing.
The film is about about the truth, and burying it because no one can handle it. People prefer to live a lie than admit the truth, very reminiscent of today's world. The characters are talking to us, we are the jury.
The performances are amazing, nothing acting is so good, blows away today's competition.
The film score is stunning as well, one of my favourites from a Japanese film.
The direction is breathtaking, the jungle is beautifully lit, it has a sense of horror to it. Black and white was the perfect choice.
Overall, an amazing film from a genius!
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