An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called Rashômon. The priest and the woodcutter are recounting the story of a murdered samurai whose body the woodcutter discovered three days earlier in a forest grove. Both were summoned to testify at the murder trial, the priest who ran into the samurai and his wife traveling through the forest just before the murder occurred. Three other people who testified at the trial are supposedly the only direct witnesses: a notorious bandit named Tajômaru, who allegedly murdered the samurai and raped his wife; the white veil cloaked wife of the samurai; and the samurai himself who testifies through the use of a medium. The three tell a similarly structured story - that Tajômaru kidnapped and bound the samurai so that he could rape the wife - but which ultimately contradict each other, the motivations and the actual killing being what differ. The woodcutter reveals at Rashômon that he ... Written by
The title of the film has recently been added to the Oxford English Dictionary as describing "...resembling or suggestive of the film Rashomon (1950), esp. in being characterized by multiple conflicting or differing ... interpretations." See more »
Rashomon by Akira is probably one of his very best, from his storytelling to the visuals, the picture is amazing.
The film is about about the truth, and burying it because no one can handle it. People prefer to live a lie than admit the truth, very reminiscent of today's world. The characters are talking to us, we are the jury.
The performances are amazing, nothing acting is so good, blows away today's competition.
The film score is stunning as well, one of my favourites from a Japanese film.
The direction is breathtaking, the jungle is beautifully lit, it has a sense of horror to it. Black and white was the perfect choice.
Overall, an amazing film from a genius!
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