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Rabbit of Seville (1950)

Approved  |   |  Animation, Family, Comedy  |  16 December 1950 (USA)
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Ratings: 8.4/10 from 3,464 users  
Reviews: 30 user | 1 critic

Bugs and Elmer supply new lyrics to Rossini's opera.


(as Charles M. Jones)


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Title: Rabbit of Seville (1950)

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Complete credited cast:
Bugs Bunny (voice)


Behind the Hollywood Bowl stage which is playing the opera, The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget. Written by Kenneth Chisholm <>

Plot Summary | Add Synopsis


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Parents Guide:





Release Date:

16 December 1950 (USA)  »

Also Known As:

Der Hase von Sevilla  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.37 : 1
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Did You Know?


A signboard lists the opera's featured cast as Eduardo Selzeri, Michele Maltese and Carlo Jonzi, references to Edward Selzer, Michael Maltese and Chuck Jones, their names appear in Italian dialect, and are then transferred to English. See more »


Elmer's shotgun changes from being a single-barrel to a double-barrel, then back again. See more »


[singing to Elmer outside the barbershop]
Bugs Bunny: How do?/Welcome to my shop/Let me cut your mop/Let me shave your crop/Daintily, daintily... Hey, you!/Don't look so perplexed/Why must you be vexed?/Can't you see you're next?/Yes, you're next, you're so next!
See more »


Featured in Looney Tunes 50th Anniversary (1986) See more »


Music by Georges Van Parys and Louis De Francesco
Played during the opening credits
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

An absolutely brilliant cartoon, possibly exceeding even "What's Opera, Doc?"!
30 December 2003 | by (Karachi, Pakistan) – See all my reviews

Warner Bros. Cartoon Department was a factory that churned out the best cartoon shorts in history over a period of thirty years, over ninety per cent of these cartoons above the level most studios could hope to reach. But if that hadn't been so, if all the hundreds of cartoons that were turned out over the decades were complete crap, "What's Opera, Doc?" would come and give the studio world-wide renown. "Rabbit of Seville" seems to be in the same league. It's one of the handful of cartoons that really has no visible flaws. After repeated viewings (thanks to DVD) I still can't see anything wrong with it. The music and the animation are perfectly synchronized, and might be equal Disney's "Nutcracker Suite" sequence from "Fantasia." The action and the music sometimes get so frantic and so fast that your heart beats 200 times a minute. The gags are perfectly ingenious, nobody thought of those kinds of gags before and they were never repeated. Bugs and Elmer are great actors. No cartoons but possibly "Duck Amuck" and "What's Opera, Doc?" match it. Bugs's songs are fantastic, if you can keep up with the words. Nobody had seen anything like "Rabbit of Seville" before and nobody has seen anything similar since. So many trademarks that seem like Warner Bros. staples now were actually only used in "Seville." It really is unmatched. Beautiful.

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