When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
A woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and... See full summary »
Charlie returns to the East End after two years at sea to find his house demolished and wife Maggie gone. Everyone else knows she is now shacked up with married bus driver Bert and a ... See full summary »
After WW2, former RAF airman Clem Morgan joins a gang of black-market smugglers-thieves but when a robbery goes wrong, Clem is caught , framed for a policeman's murder, and is sent to prison where he plots his escape and revenge.
Crime melodrama about two sailors in London, an American open to theft and smuggling and an honest Jamaican, and the crooks and girls they know. A jewel theft goes wrong and those involved must decide whether to try to get away or to do the right thing. Superb photography of postwar central London when almost empty of people on a Sunday. Written by
First British film to show a mixed-race romance. See more »
When you're at the wheel of a ship at night, far at sea and nothing else to do, you think about a lot of things you don't understand. You wonder why one man is born white and another isn't. And how about God himself? What color is he? And the stars seem so close and the world so small in comparison to all the other worlds above you. It doesn't seem to matter so much how we were born.
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Opening credits prologue: FRIDAY AFTERNOON See more »
A film of super quality. Great direction and cinematography but probably a nightmare for the sound crew doing London location shooting must have required extensive post-production work in the studio.
The actors are all well chosen in that they are totally believable even down to Michael Ward's camp cameo pianist " who ME?".
There are usually complaints about women with cut-glass accents appearing in films of that era and sounding out of place, but this was post-WW2 and lots of young, and not so young women who'd earned independence in the services or the war factories, or had become war-widows weren't quite ready to go back to mummy so they got city jobs and lived in or shared bed-sits and tried to enjoy life in Austerity Britain.
This film shows that in spite of what hindsight historians would have us believe, not everyone went round looking glum. They still wanted pleasure in life in spite of severe rationing...and in spite of the five and a half- to six-day working week. In the absence of TV, with only the radio to rely on, people went out to pubs, clubs, dance-halls, variety shows, the theatre and the cinema. They didn't embrace austerity, they needed a break from it.
All of which is beautifully reflected in this film. The plot is no real surprise, the acting is more than adequate for a low-budget film, but the addition of location filming around the city streets, the bomb sites, the wharfs, the cobbled alleys, the dockyard taverns and the hustle and bustle of a busy port give this film a sheen that makes it rise above expectations.
A long overdue release, that finally came in 2009, the film is a face-spotters delight.
I do firmly believe that Bonar Colleano, had he lived, would have had a great career as a character actor in the UK.
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