When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
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Crime melodrama about two sailors in London, an American open to theft and smuggling and an honest Jamaican, and the crooks and girls they know. A jewel theft goes wrong and those involved must decide whether to try to get away or to do the right thing. Superb photography of postwar central London when almost empty of people on a Sunday. Written by
As a post-war British movie, this has it all in terms of story and setting. The backdrop in the stark, bomb-site ridden City of London, centred round the old docks by Tower Bridge, brings home the reality of everyday privations in a period of austerity before the gradual economic recovery during the 1950s. Good acting across the board from Bonar Colleano to Max Adrian. I liked Colleano in the Way to the Stars and he is just as convincing in this thriller, one of the better examples of the British (Ealing) crime film of the period.
I can see why it is sometimes called 'noir' but I think that's more to do with the effective cinematography than the storyline, which is enhanced in interest by including a Jamaican seaman. sympathetically played by Earl Cameron. As another commentator said, it is nice to see that he has consistently acted until today.
I appreciated the comments from admirers of this film who were involved in the film-making, and lived in the area where it was filmed. These kind of comments help make IMDb the informative and interesting film site it is; thank you to them.
Thoroughly enjoyed this film and recommend it to anyone interested in this crucial period of British film-making.
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