The weather forces a mail plane to turn back. It drops the mail at Outpost #5, staffed by Pluto, who is to carry it to the next airport. His mission is briefly thwarted by a totem pole (... See full summary »
Pluto is playing with a ball in the park when he mistakes a bubble gum machine for it. He tries briefly to get a gumball from the machine when a bee flies into the machine and carries a ... See full summary »
Pluto and Milton the cat, goaded by a TV commercial for turkey, raid the fridge and find a turkey inside. Milton gets there first and re-heats the turkey, first on the furnace duct, and ... See full summary »
A gopher sucks a flower into his hole, waking up Pluto. He chases the critter, but gets scolded by Minnie for digging up her flower bed. She pots the flower he dug up, and unknowingly ... See full summary »
The boys are more interested in their comic book than the sights on their Florida vacation. When the car breaks down next to the spring "mistaken for the fountain of youth", Donald decides ... See full summary »
Donald is writing in his diary and narrating (in a rather sophisticated voice) about his romance with Daisy. She was able to snare him into a relationship in which they got to know each ... See full summary »
Dinah, PLUTO'S HEART THROB, enjoys flirting with both the Pup & Butch the bully bulldog.
While amusing, this little film is scarcely different from several other cartoons also depicting Pluto's romantic difficulties. Perhaps Disney was thinking this as well - this cartoon was nearly the end of the road for both Dinah & Butch's movie careers.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
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