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Please Believe Me (1950)
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Overview
User Rating:
Release Date:
12 May 1950 (USA) morePlot:
Alison Kirbe of London, receives a telegram from Texas, that she has inherited a livestock ranch. It... more | add synopsisUser Comments:
It may be horror producer Val Lewton's only romantic comedy... moreCast
(Complete credited cast)| Deborah Kerr | ... | Alison Kirbe | |
| Robert Walker | ... | Terence Keath | |
| Mark Stevens | ... | Matthew Kinston | |
| Peter Lawford | ... | Jeremy Taylor | |
| James Whitmore | ... | Vincent Maran | |
| J. Carrol Naish | ... | 'Lucky' Reilly | |
| Spring Byington | ... | Mrs. Milwright | |
| Carol Savage | ... | Sylvia Rumley | |
| Drue Mallory | ... | Beryl Robinson | |
| George Cleveland | ... | Mr. Cooper | |
| Ian Wolfe | ... | Edward Warrender | |
| Bridget Carr | ... | Lily Milwright | |
| Henri Letondal | ... | Jacques Carnet | |
| Gaby André | ... | Mme. Carnet (as Gaby Andre) | |
| Leon Belasco | ... | The Croupier |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
87 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Sound System)Fun Stuff
Goofs:
Continuity: After their evening of gambling, Matthew goes to Allison's hotel room and she invites him for coffee. Just as he accepts and begins to sit down, the far shot shows her putting her empty coffee cup at his place. The next shot, which is a close shot from her right, shows her again putting the cup in front of him. moreFAQ
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Deborah Kerr plays no-nonsense British lass who inherits a ranch from her Texas pen-pal and sails for the States; aboard ship, she is wooed by three bachelors: a lawyer, a millionaire playboy, and a con-artist. Sleek, genteel comedy plays like a blue-haired drawing-room farce. Kerr chirps along happily, but there's really no character here for her--just the outline of one (we can't even be sure what she did for a living back in London). Although there are no big laughs, amiable second-banana James Whitmore steals all his scenes with little effort. Extremely minor offering, one of the very last from famed producer Val Lewton, and perhaps just glossy enough to engage Kerr's fans. ** from ****