Pests of the West (1950)The same father-son coyotes seen in Camp Dog sneak into the hen-house that Pluto is guarding. A chicken yawns, putting junior to sleep, so dad comes in. Pluto wakes up and gives chase. The ... See full summary » Director:Charles A. Nichols |
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Title: Pests of the West (1950)
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The same father-son coyotes seen in Camp Dog sneak into the hen-house that Pluto is guarding. A chicken yawns, putting junior to sleep, so dad comes in. Pluto wakes up and gives chase. The varmits hide in the rafters of Pluto's house, and it takes some time for him to notice. Pluto and father pass a chicken and its nest back and forth a few times before Pluto substitutes junior for the chicken, tricking dad. Written by Jon Reeves <jreeves@imdb.com>
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Country:
USALanguage:
EnglishRelease Date:
21 July 1950 (USA) See more »Also Known As:
Pluto et les coyotes See more »Company Credits
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Mono (RCA Sound System)Color:
Color (Technicolor)Aspect Ratio:
1.37 : 1
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A Walt Disney PLUTO Cartoon.
A couple of PESTS OF THE WEST - father & son coyote - attempt to raid the hen-house guarded by the ever vigilant Pluto.
The plot has been reworked many times, but the results are enjoyable. This was one of a handful of little films to feature Bent-Tail the coyote and his dimwitted offspring, Bent-Tail, Junior, as The Pup's antagonists.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.