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Perfect Strangers (1950)

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Ginger Rogers and Dennis Morgan, serving on a sequestered jury during a murder trial, fall in love. She is divorced, he is married.

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Title: Perfect Strangers (1950)

Perfect Strangers (1950) on IMDb 6/10

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Cast

Complete credited cast:
...
Theresa (Terry) Scott
Dennis Morgan ...
David Campbell
...
Lena Fassler
Margalo Gillmore ...
Isobel Bradford
Anthony Ross ...
Robert (Bob) Fisher
...
Arthur Timkin
...
Harry Patullo
...
Judge James Byron
Harry Bellaver ...
Gabor Simkiewicz, Bailiff
George Chandler ...
Lester Hubley
Frank Conlan ...
John Brokaw (as Frank Conlin)
Charles Meredith ...
Lyle Pettijohn
Marjorie Bennett ...
Mrs. Moore
Edith Evanson ...
Mary Travers
Sumner Getchell ...
John Simon
Edit

Storyline

Ginger Rogers and Dennis Morgan, serving on a sequestered jury during a murder trial, fall in love. She is divorced, he is married.

Plot Summary | Add Synopsis

Plot Keywords:

based on play | See All (1) »

Genres:

Drama | Romance

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

17 August 1951 (Finland)  »

Also Known As:

Intermezzo matrimoniale  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

During the reenactment of the crime, the female officer is standing by the edge of the cliff. The prosecutor then steps to her side. In the next shot, the officer is standing alone again. See more »

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User Reviews

 
Perfectly dreadful
30 September 2013 | by (New York, NY) – See all my reviews

Some scintillating pre-credits footage of bureaucrats shuffling through card files of prospective jurors, and we're off on the world's least interesting murder trial, propelled by a baffling romance between jurors Ginger Rogers and Dennis Morgan. Both are still married, she's separated, and the movie doesn't seem to know how to treat the prospect of their getting together--we're supposed to want them to, yet also not to want them to, because of all the lives it would disrupt. Meantime, the rest of the jury appears to be the stupidest ever, led by Thelma Ritter, doing her usual welcome Tenth-Avenue-salt-of-the-earth thing, but with bad lines. Rogers, as was her wont at this stage of her career, is more glamorous than the woman she's playing, and one detects a large whiff of star vanity; Morgan looks understandably bored. The movie's unaccountably fascinated with the minor details of jury duty, and everyone on this panel is such an idiot that there's nothing to do but watch them jabber and spar and lead to their inevitable verdict. Bretaigne Windust's direction (now there's a name) is disinterested and uncinematic, but not even a Capra or a Sturges could have made anything of this script.


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