Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers ... See full summary »
When a body is found in the New Orleans docks, it's pretty obvious that he died from gun shot wounds. The police surgeon notices that the man is also displaying other symptoms and Lt. Commander Clint Reed, a doctor with the U.S. Public Health Service, diagnoses a highly contagious disease, pneumonic plague. He tries to convince local officials to find everyone who may have been in contact with the dead man. The Mayor supports his efforts but many, including the police, are doubtful. Reed wants to avoid publicity so as not to panic the public. They have little information to go on - they don't know the dead man's identity - and Reed estimates they have 48 hours before disease begins to spread. With police Capt. Tom Warren going through the motions, Reed sets out to find the killers. Written by
Film debut of Emile Meyer. While scouting locations in New Orleans, director Elia Kazan saw Meyer working on the street with a crew of laborers. He was struck by the brawny Meyer's rugged appearance and hired him for a role in the film. See more »
In an early scene when Dr. Reed (Richard Widmark) is shown painting with his son, he flicks excess paint off the brush, and then sits on the same spot where the paint would have landed, but when he gets up there's no paint on his pants. See more »
Refreshing `lost' gem! Featuring effective dialog combined with excellent acting to establish the characters and involve you enough to care what happens to them. The Douglas and Widmark characters are realistic heroes. Palance is his usual evil presence. Widmark win the fisticuffs fight scene, a car chase of less than 60 seconds with a `logical' end, and a lengthy chase on foot that shames the overdone chase sequences of contemporary Hollywood. You know how it will likely end, but the suspense and interest are sustained throughout. The end of the chase is one of the most realistic you will ever see. The film seems to slow a little past the middle, but stay with it for the rewarding conclusion.
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