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Pagan Love Song (1950)

6.0
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Ratings: 6.0/10 from 244 users  
Reviews: 10 user | 5 critic

A man from Ohio inherits a coconut plantation and falls in love with a half-American, half-Tahitian beauty. Song and swim ensues in the tropical paradise.

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Title: Pagan Love Song (1950)

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Cast

Cast overview:
...
...
Hazard Endicott
Minna Gombell ...
Kate Bennett
Charles Mauu ...
Tavae
...
Terru
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Storyline

The bronzed and be-flowered Mimi, a half-American, half-Tahitian girl, was raised on the island but longs for the good old U.S. of A. "All my life's been one long vacation," she sighs, "and I'm bored." Luckily, Hap Endicott arrives on the scene. He's an Ohio schoolteacher who has come to manage his late uncle's coconut plantation. The two meet cute, and love and singing ensue. Includes songs at the drop of the hat, some terrific Tahitian dancing, and a lovely moment when a lovelorn Hap looks up and sees Mimi swimming gracefully among the clouds. Written by Ali Davis

Plot Summary | Add Synopsis

Taglines:

SOUTH SEAS TECHNICOLOR MUSICAL!

Genres:

Musical | Romance

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

29 December 1950 (USA)  »

Also Known As:

Tahiti  »

Box Office

Budget:

$1,906,265 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Van Johnson and Cyd Charisse were the first choices for the leads, but Cyd Charisse was pregnant at the time. A new screenplay was then written for Esther Williams to star in. See more »

Connections

Referenced in Éden (2011) See more »

Soundtracks

Pagan Love Song
(uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Opening credits and first number sung by chorus
Later sung by Howard Keel and Tahitian natives and swum by Esther Williams' during her underwater ballet
See more »

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User Reviews

Plot?
15 March 2001 | by (Sacramento, CA) – See all my reviews

The other comment here is that this movie has no plot. Well, there is, but it's a thin one. But, consider the social context of this film, the beginning of the 50s, a time when musicals were king and the world was still optimistic. Things looked good: the horrible WW2 was over and the boys were home; the economy was so-so but people were hopeful: many ex-GIs had returned to school (a social feature which would bear fruits in the coming years); Rosie the Riveter had put up her tools and was now in maternity clothes waiting to socialize her daughters and make them aware that they could earn money just like the men and not have to stand for being deprived of the opportunity to do so; the Korean war was still a year away. Things looked good. So, why not have a bit of Hollywood costume mind pablum about a guy inheriting a small plantation in Tahiti, having a romance with swimarina Esther Williams in dark-skinned make-up and all of that. No plot? Sure, there is. It's just not very tension-fraught. Is that bad? To tell the truth, I don't think folks went to see this film for extensive intellectual challenges. It is full of memorable songs, lovely-to-look-at moments and some nice shots of Tahiti. Rosie and her back-from-the-war GI Joe likely held hands during the colorful dream sequences, unknowing that their daughters and granddaughters would be horrified at the chauvinist late 40s dialogue. I missed this film as a kid and saw it on video a few years ago. I loved Howard Keel and Esther Williams as a kid and would likely have loved it more then. But still, there were moments, e.g., during the confusing (and somewhat confused) dream sequence, when I could smile, losing myself in the same way that thousands who go to Las Vegas and see shows at the club do-- and it only cost me a few dollars! Check it out. I agree. The plot is scarce but, doggone it, it's sure fun to see.


9 of 11 people found this review helpful.  Was this review helpful to you?

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