Harry and Eve Graham are trying to adopt a baby. The head of the agency senses Harry is keeping a secret and does some investigating. He soon discovers Harry has done an unusual amount of ... See full summary »
Jan Stewart, a new teacher at The Oaks, a boys' boarding school, becomes instructor and mother-figure to a class of twelve. She must overcome the disapproval of Joe Hargrave, head of the ... See full summary »
A young girl is raped while coming home from work. The trauma of the attack turns her away from her parents and her fiancé, and, unable to face society, she runs away and, using an assumed name, takes a job on an orange ranch. A young clergyman takes an interest in her, although she won't confide in him. When a ranch hand tries to kiss her, she relives her terrifying experience and nearly kills him. She is arrested but when her identity is established and the facts of her case are brought forth, the clergyman convinces the court that it is society that should shoulder the blame. He helps rebuild her faith and send her back to her parents and fiancé. Written by
Les Adams <firstname.lastname@example.org>
American Film Institute Catalog of Feature Films 1941-1950 claims Tod Andrews made his screen debut in this film; actually, he has at least a dozen and a half previous credits while under contract to Warner Bros. as Michael Ames. See more »
Introducing Mala Powers and Tod Andrews See more »
"Outrage" is about rape, though the word is never mentioned. Directed and cowritten by Ida Lupino, it concerns a young woman (Mala Powers) who is engaged to be married and is raped on her way home from work. Traumatized and filled with shame, she runs away from home. She ends up in a community where she is attended to by a minister. However, she doesn't tell him what happened to her. Problems arise.
Though made 56 years ago, the elements of the film ring true, and of course, feelings don't change - the victim thinks she's dirty and behaves as if she is the criminal.
Mala Powers gives a very good performance, exhibiting the shock, nervousness, and terror of the victim. Though the script meanders a bit, Lupino does an excellent job of directing, particularly the action scenes.
In 1950, this film was probably ahead of its time. It's good to see to show us where we were (particularly with no DNA tests or rape kits) and where we are.
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