A lowly bank clerk marries a good time girl but she two-times him for her old crooked boyfriend.
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Photos and Videos
Cast
| Pat Kirkwood | ... |
Irene James
(as Patricia Kirkwood)
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| Jack Watling | ... |
John Ross
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Joy Shelton | ... |
Vera Lamb
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| Sydney Tafler | ... |
Jimmy Smart
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| Thora Hird | ... |
Mrs. James
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Humphrey Lestocq | ... |
Lewis Canfield
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Gordon McLeod | ... |
Mr. Ross
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Edith Sharpe | ... |
Mrs. Ross
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| Harry Fowler | ... |
Bill James
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| Danny Green | ... |
Ticker James
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Stuart Lindsell | ... |
Inspector Rance
(as R. Stuart Lindsell)
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| Olive Sloane | ... |
Lil
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George Street | ... |
Bridges
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Rose Howlett | ... |
Mrs. Lamb
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| Charles Paton | ... |
Mr. Lamb
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Stuart Latham | ... |
Charlie
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Cameron Hall | ... |
Mr. Barker
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Norman Williams | ... |
Barman
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| Rest of cast listed alphabetically: | |||
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Geoffrey Denys | ... |
Penrose (uncredited)
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Nora Gordon | ... |
Mrs. Barker (uncredited)
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Miles Manderson | ... |
Policeman (uncredited)
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| Paddy Smith | ... |
Customer at Hotel Bar (uncredited)
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Ann Sullivan | ... |
Bus Conductress (uncredited)
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Directed by
| Lewis Gilbert | ||
Written by
| David Evans | ... | (screenplay) |
| Ronald Marsh | ... | (novel: 'Irene') |
Produced by
| John Argyle | ... | producer |
Music by
| Ronald Binge | ||
Cinematography by
| Frank North | ... | director of photography |
Editing by
| Lister Laurance | ||
Editorial Department
| Ronny de Matos | ... | second assistant editor (uncredited) |
| Chris Hone | ... | first assistant editor (uncredited) |
Art Direction by
| George Paterson | ||
Makeup Department
| Joan Carpenter | ... | hair stylist (uncredited) |
| Bill Lodge | ... | makeup artist (uncredited) |
Production Management
| John Lockett | ... | production manager |
Second Unit Director or Assistant Director
| Clive Midwinter | ... | assistant director |
| Jack Lambert | ... | second assistant director (uncredited) |
Art Department
| Edward Rodrigo | ... | property buyer (uncredited) |
| Geoffrey Somerton | ... | draughtsman (uncredited) |
Sound Department
| Sidney Rider | ... | sound recordist |
| Gerry Turner | ... | boom operator (uncredited) |
Camera and Electrical Department
| Len Harris | ... | camera operator |
| Ginger Gemmel | ... | focus puller (uncredited) |
| Laurie Ridley | ... | still photographer (uncredited) |
Costume and Wardrobe Department
| Felix Evans | ... | wardrobe (uncredited) |
Music Department
| Sidney Bowman | ... | conductor: the Promenade Players / musical director |
| The Promenade Players | ... | music performed by |
Script and Continuity Department
| Catherine Morrison | ... | continuity (uncredited) |
Additional Crew
| Roma June | ... | production associate |
| Herbert Wilcox | ... | Jack Watling: by permission of |
Production Companies
- John Argyle Productions (presents)
Distributors
- Butcher's Film Service (1950) (United Kingdom) (theatrical)
- J.H. Hoffberg Company (1952) (United States) (theatrical)
Special Effects
Other Companies
- Delman (Pat Kirkwood's shoes supplied by)
- The Gate Studios (recorded at)
Storyline
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Did You Know?
| Trivia | The bus on which Kirkwood and Watling first meet shows "Chalkwell Park" as one of its stopping points, which suggests that the location shots were done in Southend/Westcliff on Sea. See more » |
| Goofs | When Irene switches the radio on it comes on almost immediately, but a valve radio takes considerably longer than that before there is any sound. See more » |
| Quotes |
Bridges:
Oh, Ross, just a moment... John Ross: I'm sorry I was late, Mr Bridges. I was waiting until you were free to come and apologise. Bridges: Yes, of course. I hear some rather disturbing reports about you. The whole town's talking... John Ross: But surely, Sir, my private life is my affair. Bridges: Yes. You've seemed a trifle worried lately. And people will, eh. John Ross: ...will talk. Bridges: Precisely. Of course it's quite ridiculous but banks have that curious idiosyncrasy of hoping that their employees will conduct their private affairs in a manner which will not give cause for people to talk at all. John Ross: Will that be all, Sir? Bridges: Yes. Except of course that I should be very sorry to see so promising a career become, eh, less promising. Thank you, Mr Ross. See more » |