An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
Buñuel's first "comeback" film since "L'Age d'Or" in 1930 (he made only a few musicals in the interim), "El Gran Calavera" concerns a family's attempts to change the patriarch's somewhat ... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
Caridad de Laberdesque
A group of juvenile delinquents live a violent and crime-filled life in the festering slums of Mexico City, and the morals of young Pedro are gradually corrupted and destroyed by the others... Written by
Michael Brooke <email@example.com>
UNESCO has launched the Memory of the World Programme to prevent collective amnesia calling upon the preservation of the valuable archive holdings and library collections all over the world and ensuring their wide dissemination. This film and Fritz Lang's Metropolis (1927) were the first two movies (and in 2004, the only ones) recognized in this special way. See more »
[addressing his mother, just before she leaves him at the Farm School]
Just now you remember that I'm your son.
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Great film by Luis Buñuel. The misery of the Mexican slums is perfectly illustrated. The old black & white picture depicts even more the tragedy of the story.
Great lines too. When the kid is pushing the carousel used by the rich, he needs some rest but: "You'll rest when you die". And this one from the director of the reform school: "If we could lock up misery forever" (instead of the kids).
Another thing to say about this movie: the actors are not actors. What I mean is these are people who haven't been to film school. There not acting, there telling us what it is to live their daily life.
Seen at home, in Toronto, on June 29th, 2002.
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