An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
A young man and woman's honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their ... See full summary »
Luis Aceves Castañeda
A surrealist tale of a man and a woman passionately in love with one another, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
After discovering he's being cheated on by his wife María, Quintin kicks her out of the house. Upon leaving, his wife confesses that their daughter Martha is actually not Quintin'd daughter... See full summary »
A group of juvenile delinquents live a violent and crime-filled life in the festering slums of Mexico City, and the morals of young Pedro are gradually corrupted and destroyed by the others... Written by
Michael Brooke <email@example.com>
This film was very poorly received in Mexico when originally released, with particular resentment directed at the Spaniard Luis Buñuel, as a foreigner, for exposing the nation's problems with poverty and crime. In fact, it was only after Buñuel won Best Director at Cannes that the film's quality was reevaluated by Mexican critics and audiences. Critical opinion of the film in Mexico is now very high: in a 1994 poll for the magazine Somos, Los Olvidados was named the second greatest Mexican film of all time. (Let's Go with Pancho Villa (1936) - directed by Fernando de Fuentes, was ranked first.) See more »
[addressing his mother, just before she leaves him at the Farm School]
Just now you remember that I'm your son.
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The story of troubled youth and urban violence has been told many times, but this is, perhaps, the best film on the subject ever made. This is an unblinking look at the hell on earth that looks like slums of Mexico City back in 1950s. It is also a masterful combination of gritty realism and Buñuel's surrealism (young Pedro's dream of Virgin Mary with a face of his mother whose love he desperately needs but never knows).
All the characters, including a young boy caught up in a criminal world but trying to be good, his tired mother who does not have time to love her children, the brutal and cruel gang leader with his own story that breaks your heart are not just wonderfully written and acted, they are absolutely real and would stay with you long after the film is over. Shocking, erotic, and sad, this is a masterpiece the perfect film from the beginning until the harrowing and devastating end.
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