Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
A surrealist tale of a man and a woman passionately in love with one another, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
Buñuel's first "comeback" film since "L'Age d'Or" in 1930 (he made only a few musicals in the interim), "El Gran Calavera" concerns a family's attempts to change the patriarch's somewhat ... See full summary »
A young man and woman's honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their ... See full summary »
Luis Aceves Castañeda
A group of juvenile delinquents live a violent and crime-filled life in the festering slums of Mexico City, and the morals of young Pedro are gradually corrupted and destroyed by the others... Written by
Michael Brooke <firstname.lastname@example.org>
When it was released in Mexico in 1950, its theatrical commercial run only lasted for three days due to the enraged reactions from the press, government, and upper and middle class audiences. See more »
[addressing his mother, just before she leaves him at the Farm School]
Just now you remember that I'm your son.
See more »
An extremely cruel response to the sentimental social comment of Neo-realism
Atheist, Marxist, Freudian, Surrealist, anarchist, fetishist, satirist, or Spaniard, Luis Buñuel was all these or more One of the greatest of all filmmakers, Buñuel expressed an extraordinary personal vision of the world through an exceptional self-effacing special taste, creating a body of work unequaled in its abundance of meaning and its power by any other
In 1946, Buñuel moved to Mexico where, between more conventional assignments, he summed up his creativity with a vengeance His first masterpiece of this prolific period, "The Young and the Damned" was a masterpiece of social surrealism and the founding work of third world barrio repulsion
Portraying the distress of delinquents in MexicoCity's streets, he admitted the effects of shockingly cruel environment but declined to glamorize his victim-heroes: the gang torments a blind beggar who is himself a skillful paedophile, while a Freudian dream the most 'innocent' boy fights a friend for his mother' s sexual favors
The film is powerful enough to make a one firm man weep or encourage a true-believer to lose hope Once seen, its disturbing images can never be forgotten
15 of 22 people found this review helpful.
Was this review helpful to you?