7.5/10
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No Way Out (1950)

Approved | | Crime, Drama, Film-Noir | 16 August 1950 (USA)
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A black doctor is assigned to treat two racist White, robbery suspects who are brothers, and when one dies, it causes tension that could start a race riot.
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Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
Stephen McNally ...
...
Mildred Joanne Smith ...
Cora Brooks
...
Stanley Ridges ...
Dots Johnson ...
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Storyline

The Biddle brothers, shot while robbing a gas station, are taken to the prison ward of the County Hospital; Ray Biddle, a rabid racist, wants no treatment from black resident Dr. Luther Brooks. When brother John dies while Luther tries to save him, Ray is certain it's murder and becomes obsessed with vengeance. But there are black racists around too, and the situation slides rapidly toward violence. Written by Rod Crawford <puffinus@u.washington.edu>

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Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Release Date:

16 August 1950 (USA)  »

Also Known As:

Der Haß ist blind  »

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Company Credits

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Technical Specs

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Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

It was the idea of screenplay writer Philip Yordan to depict scenes showing the doctor's family inside their home. See more »

Goofs

After Dr. Brooks retrieves the spinal tap tray from the cabinet and heads back to the ward where Ray and George Biddle are being treated, the shadow of the boom microphone can be briefly seen on the wall upper left on the screen. See more »

Quotes

Dr. Dan Wharton: My point is you got out.
Edie Johnson - Mrs. John Biddle: Five blocks away.
Dr. Dan Wharton: Five million blocks, what's the difference? You hate Beaver Canal; you hate what it stands for.
Edie Johnson - Mrs. John Biddle: You talk like I was a poet or a professor. I found open a manhole and I crawled out of a sewer, wouldn't anybody?
Dr. Dan Wharton: Ray Biddle wouldn't. He likes Beaver Canal; he likes what it stands for.
Edie Johnson - Mrs. John Biddle: I don't even know what that means: "stands for"? There's no difference in people except the size of their tips. A drunk is a drunk and a pass is a pass if it comes from a ...
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Crazy Credits

The 20th Century Fox logo appears without its familiar fanfare. Instead, the film's music theme begins when the logo is displayed. See more »

Connections

Referenced in Movies of Color: Black Southern Cinema (2002) See more »

Soundtracks

In a Sentimental Mood
(uncredited)
Music by Duke Ellington
Lyrics by Mann Curtis
Performed by Eddie Miller
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Refreshingly uncool - Poitier and Widmark at their very best!
23 July 2003 | by (Zurich, Switzerland) – See all my reviews

I watched this film soon after having seen the dreadfully stupid (but almost universally praised) American History X. The comparison does not make you very optimistic as far as the development of movies with a social message is concerned.

No Way Out is a very good story about racism - maybe the best ever told on screen. It is mainly set in a hospital, where black and white doctors and nurses - among other things - patch up people who bashed each other's heads in in race riots. Sidney Poitier is a very young, upwardly mobile doctor with high ethic standards, Richard Widmark a nasty, racist piece of "white trash" from Beaver Canal who accuses the black doctor of having killed his brother while under his care. This sounds pretty plain, but the screenplay succeeds in giving the characters real personal traits, and the actors fully live up to their task.

I have never seen Sidney Poitier better than here - and this apparently was his first screen appearance! The young doctor is, on the one hand, angry because of the racially motivated humiliations he has to endure. On the other hand, the accusations of the white bigot really shake him badly. He is having serious doubts about his abilities as a doctor because of it, although he is sure he did the right thing. In my opinion it was very wise to introduce these self doubts which are not race related. It makes of Poitier's character a well intentioned conscientious individual many people without regard of race (or gender or religion or whatever) can relate to.

Richard Widmark as the black doctor's racist adversary gives an equally brilliant performance. We see him here at his slimiest, meanest. He really is pure hate - yet even his character is more than a stereotype. His hate is propelled by an encompassing self pity which is really nauseating! This becomes most evident in the dramatic final scene. "Little Black Simba!", he shouts again and again to the black doctor like a moron, and the stupid taunting gets more and more pathetic. Then, badly wounded, he dissolves into a whimpering bundle and the viewer comes to the conclusion that the worst punishment for that creature consists in just staying alive!

It is my opinion that the ever more persistent culture of coolness will not make the world a better or more desirable place to live in. Therefore I really was delighted to see that No Way Out is refreshingly uncool. It addresses social and philosophical issues in a down to earth way. Unforgettable to me is the conversation between the girl from Beaver Canal, the racist's brother's former wife, and the black servant of a white doctor, the boss of Sidney Poitier's character. The servant tells the girl that in her free time she likes to invite friends and cook elaborate meals for them. That is a lot of work you're doing in your free time, the girl remarks. To this the servant says: I like doing it, and it makes me feel I am somebody. Outdated? Corny? What do I care! The statement is still valid.

It should be noted that No Way Out is not a story of different groups of people pitted against each other but a story about individuals who have to find themselves in society and decide what stand they are taking towards civilisation. The movie states that civilisation and civilised behavior is not something you can take for granted and that it depends on the choice of every single human being.


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