Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every ... See full summary »
Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every moment of her life count, but her effort is weakened by the discovery that Brad is interested in his assistant, Chris Radner. But when she learns that Brad does indeed love her and not Chris, and that Chris is leaving town, she realizes what she must do to ensure the future happiness of Brad and Polly. She persuades Chris to stay, makes a genuine friend of her and watches Polly grow towards Chris. Written by
Les Adams <firstname.lastname@example.org>
As a cancer survivor, I was a little uneasy about watching this. But it packs no punch at all. Maybe it did at the time: After all, until fairly recently, the word "cancer" was not uttered. It is here -- only once or twice and right at the film's beginning.
Margaret Sullavan is the sick person. She has a realistic, nice cozy looking house. She's married to Wendell Corey and their daughter is ten-year-old Natalie Wood. So maybe her passive approach makes some sense. She doesn't try to do anything different or differently, to make the most of her final months, though.
However, her not telling her husband means he is free to spend time with his new assistant Vivica Lindfors (who is excellent in her role.) I guess it's that 58 years have passed since this was made. Whatever the reason, I found it myself unmoved.
Mate's direction is sure and the musical score, from Beethoven and Wagner, is appropriate. Generally, though, I found it a disappointment.
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