Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »
Convicted murderess Valerie Carns (Ann Blyth) is being transported to Norwich to be executed when a flood strands her and her guards at a convent hospital. Nurse Sister Mary (Claudette ... See full summary »
Single parents Jean Bowen and Brad Stubbs meet at the train station when they send their kids (his 2 girls, her 2 boys) off to camp. Love inevitably blooms. But there are complications: ... See full summary »
Alvah, a young GI who happens to own a vineyard, elopes to Las Vegas with Lee, his housekeeper's daughter. But Alvah's chicken pox postpone the wedding night. The rest revolves around more ... See full summary »
The naive Evelyn Warren, elected shool-teacher of the year by Time Magazine, goes to Las Vegas, where she loses a lot of money. In order to pay her debts, casino-manager Matt Braddock asks ... See full summary »
Posing as an ex-German medical officer, a U.S. Navy Intelligence Officer sets out to rescue a kidnapped scientist, and sink a Nazi submarine, hiding off the coast of South America. Written by
Keith Stacey <firstname.lastname@example.org>
This was the first film Douglas Sirk made for Universal after signing a contract lasting several years. Part of the Contract and demand from Sirk was "one major A-project within the first year" (of work for the studio). That A-project became Thunder on the Hill (1951), starring Claudette Colbert. See more »
Not every film of a great director is filled with identifying and interesting touches, and this is a case in point. (Having sat through three such films yesterday -- the others being "Slightly French" and "Sleep, My Love" -- the point was made ad nauseum.) Not a bad picture, but a pretty dull one. The never-very-interesting Macdonald Carey is the leading man, and the supporting cast is generally lacking in interest (particularly the US G-men, who seem barely to be professional actors), but leading lady Marta Toren has moments of interest (and is quite beautiful), and it is always nice to see Carl Esmond (a/k/a Willy Eichberger), a character actor who lived to the ripe old age of 102 and began his career with a memorable performance in Ophuls's "Liebelei." On the whole, though, this is a film for those (like me) who feel obliged to see everything directed by the great Sirk -- who, when he was fully engaged, was among the greatest.
8 of 10 people found this review helpful.
Was this review helpful to you?