An English scientist runs away from a research center with an atomic bomb. In a letter sent to the British Prime Minister he threatens to blow up the center of London if the Government ... See full summary »
Slippery Rodney Haines runs a high-class gambling joint in Hampstead, while elsewhere in London Lamberti's Fair for the less-well-off is on its last legs. The only link between them seems ... See full summary »
Leslie S. Hiscott
Francis L. Sullivan,
Gert and Daisy volunteer to escort a group of evacuee children to the country, leaving a London of rationing and nights in Tube stations. But Maisie from next door somehow manages to get ... See full summary »
The young Dagmar Brink commits suicide. Her belongings are inherited by the resident caretaker in the house she lived in. The caretaker, who never knew her, wonders why and make contact ... See full summary »
As usual with most of the RKO films from this era "presented" by RKO-owner Howard Hughes, the PCA number is usually 500-1000 digits lower than the one from other studios being released at ... See full summary »
Three short stories are introduced by author W. Somerset Maugham in the second of his anthology film trilogy. In "The Verger," a church verger of seventeen years is fired by his new straight-laced vicar when it's discovered that he cannot read or write. Forced to make life-altering decisions, the life-long bachelor proposes to his landlady and becomes an entrepreneur. In "Mr. Know-All" an obnoxiously pushy and irrepressibly boorish dealer in jewelry alienates all his fellow passengers on an ocean cruise despite his cheerful nature and generosity, but later is sensitive enough to realize that sacrificing his ego at a key moment is important to a woman's happiness. "The Sanatorium" revolves around the lives of tuberculosis patients at an exclusive Scottish sanatorium including a pair of doomed lovers who choose quality over quantity of life. Written by
The second of three movies showcasing the short stories of W. Somerset Maugham, "Trio" gives us three more stories, the first two of which are light and frothy things that fairly dance off the screen. The second, "Mr. Know-All," is remarkable for its wonderful humanness. It seems all the characters who must deal with this Passenger from Hell are quite content to suffer the fool gladly; their comments to each other about Mr. Kelada are neither mean nor cruel, only witty and downright philosophical. I enjoyed this story (and its ending, celebrating people at their finest) immensely. The third, and longest, story, "The Sanitorium" failed to reach beyond the grinding melodrama of, say, "The High and the Mighty" -- a bunch of people thrown together show what they're made of. The rather sappy ending didn't help. But your mileage may vary, of course. Luckily, good solid film-making raises this problematic movie higher than it might otherwise have landed.
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