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Motor Mania (1950)

7.7
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Ratings: 7.7/10 from 392 users  
Reviews: 7 user | 1 critic

Mild-mannered average guy Mr. Walker (Goofy) turns into violent Mr. Wheeler when he starts driving. Back on his feet, Mr. Walker finds it nearly impossible to cross the street.

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Title: Motor Mania (1950)

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Cast

Uncredited cast:
Pinto Colvig ...
Goofy (voice) (uncredited)
John McLeish ...
Narrator (voice) (uncredited)
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Storyline

Mild-mannered average guy Mr. Walker (Goofy) turns into violent Mr. Wheeler when he starts driving. Back on his feet, Mr. Walker finds it nearly impossible to cross the street.

Plot Summary | Add Synopsis


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Details

Country:

Language:

Release Date:

30 June 1950 (USA)  »

Also Known As:

Motormania  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This cartoon short was awarded the Buyer Trophy for the best film on traffic safety. See more »

Goofs

When Mr. Wheeler crashes his yellow car at the end, the parts that fall off are green. See more »

Quotes

Mr. Wheeler: [revving engine at traffic signal] Oh, wanna race, do they? Well, they ain't gonna get ahead of meeee!
See more »

Connections

Edited into Get It Right: Following Directions with Goofy (1982) See more »

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User Reviews

 
Speed Demon
10 October 2003 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney GOOFY Cartoon.

Even the most mild mannered pedestrian becomes afflicted with MOTOR MANIA when he gets behind the steering wheel of a car.

This little film is not only humorous - in a bone-jarring sort of way

  • but it also deals with a serious problem: emotional drivers


who are a danger to everyone else on the highway. This was the first of Goofy's car safety cartoons and would later be followed by FREEWAYPHOBIA NO. 1 and GOOFY'S FREEWAY TROUBLE (both 1965). John McLeish narrates in his best documentarian manner.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.


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