An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country... See full summary »
The growing ambition of Julius Caesar is a source of major concern to his close friend Brutus. Cassius persuades him to participate in his plot to assassinate Caesar but they have both sorely underestimated Mark Antony.
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Valentine "Snakeskin" Xavier, a trouble-prone drifter trying to go straight, wanders into a small Mississippi town looking for a simple and honest life but finds himself embroiled with problem-filled women.
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Ex-GI Ken who as a result of a war wound is paralyzed below the waist. In the hospital back home, he passes through an initial period of depression with the help of a sympathetic Dr. Brock and his faithful fiancée Ellen. Ken's bitter isolation is also overcome with the help of his fellow patients, especially the intelligent young cynic Norm, the witty Leo and serious young Angel. Soon Ken throws himself into the work rehabilitation and after a long period of physical therapy even suspects he may regain the use of his limbs. With the approval and help of the doctor, he and Ellen marry, but on their wedding night both have misgivings about the marriage: the full realization of Ellen's new responsibilities frighten her and makes her more uncertain than ever, and Ken reverts to self-pity. There is a violent argument, and he goes back to the hospital. But his blazing anger finds no sympathy from his buddies, and after a surprising conversation with Dr. Brock, Ken realizes that he must ... Written by
In the early part of the film, inside the hospital ward, a paraplegic solider is reading Superman comic book, #62. #62: Black Magic on Mars (January/February 1950) involves a plot line with Orson Welles and his famous radio broadcast, "War of the Worlds" about Martian invasion of America. Welles may have been promoting his new film, Black Magic (1949). Harry W. Gerstad, Gustaf Norin, Jean Speak, and Clem Beauchamp, production staff for many of Kramer's films, would later work for the 1950s television series, Adventures of Superman (1952). See more »
All throughout the scene of Ken and Ellen at the table in the restaurant, there are many editing continuity problems with the position of Ken's hand and the position of the menus. See more »
If he loves you as much you love him, he'll make you go.
You've been so clever, so logical, I've never knew that you handled words so well.
That's not an answer, Elly.
You weren't quite so logical a few years ago when we needed some boys to ground and get killed or paralyzed.
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Marlon Brando, Jack Webb, and Richard Erdman play three paraplegic war veterans in a VA hospital, where they are mired in cynicism and self-pity. Brando marries Teresa Wright with agonizing results.
The emotions in this drama are all really strong -- rage, frustration, anguish. The ending is a hopeful one, but the characters and the viewer have to undergo some torment to get there.
Brando must have been a revelation in 1950. He's explosive. Only his crippled legs keep him confined to his chair. Jack Webb -- Sgt. Joe Friday -- is far, far better than one would expect. (Actually, he did quite a good job with his small part in "Sunset Boulevard" too, before he was forever typecast.) Everett Sloane -- memorable in "Citizen Kane", "Lady From Shanghai", "The Enforcer" -- is their doctor who has to be cruel to be kind. The cast is filled out by "the men of the Birmingham VA hospital".
Stanley Kramer liked to produce "message" dramas. He tended to overdo it late in his career, but this is still early on. Fred Zinnemann directed a script by Carl Foreman, and these two would team up again on "High Noon". Foreman was then blacklisted by HUAC, getting no screen credit for his screenplay for "The Bridge on the River Kwai".
Not for the faint-hearted, but a fine film which deserves to be better known.
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