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Peppino De Filippo | ... | |
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Carla Del Poggio | ... | |
| Giulietta Masina | ... | ||
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John Kitzmiller | ... |
Trumpet player Johnny
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Dante Maggio | ... |
Remo
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Checco Durante | ... |
Theater Owner
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Gina Mascetti | ... |
Valeria del Sole
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Giulio Calì | ... |
Magician Edison Will
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Silvio Bagolini | ... |
Bruno Antonini
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Giacomo Furia | ... |
Duke
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Mario De Angelis | ... |
Maestro
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Vanja Orico | ... |
Moema - brazilian singer
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Enrico Piergentili | ... |
Melina's Father
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Renato Malavasi | ... |
Hotelkeeper
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Joseph Falletta | ... |
Pistolero Bill
(as Joe Falletta)
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When a young woman of beauty and talent joins a provincial vaudeville troupe, they're suddenly playing to packed houses, and their aging comic Checco Dalmonte gets big ideas. He falls in love with the ingenue, Liliana, and ignores his companion of several years, Melina Amour. (She wants to marry Checco and she's saving to open a deli.) Also, believing he can be an impresario, he hires other actors and begins rehearsal for a revue that will star Liliana and himself. Liliana admires Checco, but she's being squired around town by Adelmo Conti, the assistant to the region's biggest impresario. Can Checco's new troupe hold onto Liliana, and how will Melina fare? Written by <jhailey@hotmail.com>
I admit it: I struggle more with Fellini than any other "master" of the cinematic cannon. If you recall the annoying guy in the movie line behind Alvy Singer and Annie Hall, I'm afraid to say that I agree with most everything he said about Fellini. Having said that, this, his first work as a (co-) director, is quite delightful. Here, the things that would get the master excited throughout his career- the circus, the city, night and delirium- are ecstatically expounded, but without the brooding insistence on metaphorical significance that would take over from "La Dolce Vita" on. Watching this, I simply felt myself to be on a wild ride, and there were even moments that made Fellini's signature elements feel as mystical as the director would later "command" his audiences to feel them. But here, the mysticism came naturally, and therefore seemed much more legitimately profound and unexpected.