Donald's nephews come to lunch filthy from playing outside. Donald sends them to wash up; when he finds they've done a half-hearted job, he sends them to bed without supper. They scheme to ... See full summary »
Mickey is a stage magician, and Goofy is a stagehand. Donald is sitting in a box seat, and soon starts heckling. Mickey retaliates, among other things by making him spit out playing cards, ... See full summary »
Chip and Dale sneak into Donald Duck's house to steal his walnuts. Donald dresses as Santa Claus to have fun with the two thieving chipmunks, but ends up using the war toys underneath the Christmas tree to do battle with them.
Donald's got the day off, and all he can think of is golf until it rains as soon as he sets foot outside. He takes it out on his nephews. When he's sitting around moping, they take revenge ... See full summary »
In the African jungle, the narrator introduces us to the various birds living there and to wildlife photographer Donald Duck intent on getting some pictures. Unfortunately, all his attempts... See full summary »
Donald catches his nephews swimming on a school day. He thinks he's made an easy catch, but the boys are much more resourceful than that. When he tries to smoke them out of their clubhouse,... See full summary »
Bad behavior from Donald's Nephews draws the unwanted attention of a hungry Mountain Lion.
Huey, Dewey & Louie are up to their usual high jinks again in LION AROUND, a fairly routine, albeit humorous, little film. Coupled with the Mountain Lion (making one of his infrequent Disney appearances) they provide poor Donald with almost more antagonists than he can handle. Clarence "Ducky" supplies he voices for the entire Duck family.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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