Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a ...
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In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing ... See full summary »
In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
Flying Tiger Fred Atwell sneaks away from his famous squadron's personal appearance tour and goes incognito for several days of leave. He quickly falls for photographer Joan Manion, ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a way according to the customs of her dead husband's class. Written by
Stephan Eichenberg <email@example.com>
With a little editing and a better finale, Let's Dance could've been a great musical. It starts out with a bang, and rides along on a fun and energetic high for the first 2/3 of the film. Then, the storyline of Hutton trying to retain custody of her child starts to drag on too long. As if to make up for the slow last third of the movie, the director then tacks on a short and overly simplistic ending, as if he wasn't sure how to get out of the film. Even with these problems, though, I was pleasantly surprised by how much fun this was. Hutton had tremendous energy as a comedienne and singer, and she sparkles through most of the film. Astaire also seems to be having a great time and shows a zany side that's quite delightful. There are several good musical numbers and two "must-see" dance pieces. In the first, Fred dances around, under, on top of and inside a piano, and he also gets to show off his lesser-known but fairly impressive skills as a pianist. This number has to rank among his all-time most enjoyable. The second great number has Fred and Hutton dressed as cowboys in a saloon, and it's a hilarious and wonderful routine. I cringed a bit when I read that Astaire was doing a cowboy number, but he's just as great in boots and blue jeans and he was in top hat, white tie and tails. There's some very good comedy writing in the film, and the secondary actors all do a fine job. Despite its slow and repetitive last section, Let's Dance is definitely worth watching. And some of the dance numbers deserve repeated viewing. An unexpectedly fun and funny film.
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