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Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a way according to the customs of her dead husband's class. Written by
Stephan Eichenberg <firstname.lastname@example.org>
With a little editing and a better finale, Let's Dance could've been a great musical. It starts out with a bang, and rides along on a fun and energetic high for the first 2/3 of the film. Then, the storyline of Hutton trying to retain custody of her child starts to drag on too long. As if to make up for the slow last third of the movie, the director then tacks on a short and overly simplistic ending, as if he wasn't sure how to get out of the film. Even with these problems, though, I was pleasantly surprised by how much fun this was. Hutton had tremendous energy as a comedienne and singer, and she sparkles through most of the film. Astaire also seems to be having a great time and shows a zany side that's quite delightful. There are several good musical numbers and two "must-see" dance pieces. In the first, Fred dances around, under, on top of and inside a piano, and he also gets to show off his lesser-known but fairly impressive skills as a pianist. This number has to rank among his all-time most enjoyable. The second great number has Fred and Hutton dressed as cowboys in a saloon, and it's a hilarious and wonderful routine. I cringed a bit when I read that Astaire was doing a cowboy number, but he's just as great in boots and blue jeans and he was in top hat, white tie and tails. There's some very good comedy writing in the film, and the secondary actors all do a fine job. Despite its slow and repetitive last section, Let's Dance is definitely worth watching. And some of the dance numbers deserve repeated viewing. An unexpectedly fun and funny film.
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