Alternating in time, between the end of World War II and 1953, Haruko, a widow, does what she can to keep her daughter Utako and son Seiichi safe, fed, and sheltered. By 1953, it's clear ... See full summary »
During WW2 in neutral Sweden, young sailor Bo, son of a railway stationmaster, comes home from the Navy and reminisces a childhood accident. At age twelve, he ran away in a steam locomotive... See full summary »
Harikomi is an atypical film noir with a social background. It tells the story of two detectives of Tokyo that, on the trail of a murderer, they have to faced with Sadako that will end up questioning their role of police officers and men.
As World War II escalates, the tight-knit habitants of a street in Tokyo must relocate from their homes so that the government can use the space. Kinoshita's sensitive film-beautifully and ... See full summary »
Irene Wagner, the wife of prominent scientist Albert Wagner, finds herself blackmailed about her affair by her lover's jealous ex-girlfriend. The plot, an experiment in causing fear, drives her into a rage.
On August 15, ten years after the Pacific War, five people meet at a station. Their purpose is to dig out a cache of morphine -- now worth sixty million yen -- that HASHIMOTO, an army ... See full summary »
Once upon a time, "women's film" was a very popular movie genre. I'm not talking about romantic comedies but rather dramas that were aimed at middle-class and affluent women. Usually they were about wives and their spouses or families. The best known examples here in America are probably the Douglas Sirk melodramas from the 1950's. They were also pretty popular in Japan and here we have what was probably a typical example. An Engagement Ring (the Criterion print on Hulu calls it Wedding Ring) is about a successful business woman played by Kinuyo Tanaka. She is the president of a department store in Tokyo but she has to commute to a remote town every weekend to attend to her husband who has been sick with tuberculosis for years. Trouble arrives in the form of a hunky new doctor, played by Toshiro Mifune.
I have to admit I am not a big fan of the genre. I do like some of Sirk's movies, but this film is nowhere in their league. It does have some nice shots and it is interesting to see Mifune in a rather subdued role. But overall the story is not very compelling and the movie as a whole is rather dull. Completists of old Japanese films or of the director might enjoy it, but I think most people would be rather bored by it.
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