King Solomon's Mines (1950)

Adventurer Allan Quartermain leads an expedition into uncharted African territory in an attempt to locate an explorer who went missing during his search for the fabled diamond mines of King Solomon.

Directors:

Compton Bennett, Andrew Marton

Writers:

Helen Deutsch (screenplay), H. Rider Haggard (novel)

Stars:

Deborah Kerr, Stewart Granger, Richard Carlson

Won 2 Oscars. Another 1 win & 2 nominations.

Cast

Complete credited cast:
Deborah Kerr	...	Elizabeth Curtis
Stewart Granger	...	Allan Quatermain
Richard Carlson	...	John Goode
Hugo Haas	...	Van Brun aka Smith
Lowell Gilmore	...	Eric Masters
Kimursi	...	Khiva (as Kimursi of the Kipsigi Tribe)
Siriaque	...	Umbopa (as Siriaque of the Watussi Tribe)
Sekaryongo	...	Chief Gagool (as Sekaryongo of the Watussi Tribe)
Baziga	...	King Twala (as Baziga of the Watussi Tribe)

Storyline

Guide Allan Quatermain helps a young lady (Beth) find her lost husband somewhere in Africa. It's a spectacular adventure story with romance, because while they fight with wild animals and cannibals, they fall in love. Will they find the lost husband and finish the nice connection?

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Plot Keywords:

king | fight | diamond | cannibal | leopard | 

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Taglines:

Lovers trapped in animal stampede!

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Genres:

Adventure | Romance | Action

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Certificate:

Passed

Details

Country:

USA

Language:

English

Release Date:

24 November 1950 (USA)

Also Known As:

Les mines du roi Salomon

Filming Locations:

White Sands National Monument, New Mexico, USA

Box Office

Budget:

$2,258,000 (estimated)

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

103 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The scene in which Deborah Kerr cuts her own hair and then cuts to her sunning with a perfectly coiffed hairstyle got such a big laugh at the initial screenings of the film that producers debated removing the scene. However, they couldn't figure out another way to explain Kerr's change of hairstyle, so they kept the improbable scenes intact.

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Goofs

During the stampede scene, at first Quatarmain is firing his rifle to attempt to turn the terrified animals. When he exhausts the rifle's ammunition, he puts it down and pulls out his revolver. The next couple of shots, he's holding the rifle again. Then, he again has the revolver; after that, the shots switch between him holding each weapon several times.

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Quotes

Allan Quatermain: Stupid waste, this safari. All of it! Half our supplies gone after that all-night stampede. Wasted! Waste of time, supplies, and lives.
Elizabeth Curtis: [Glares at him, too sleepy to argue]
Allan Quatermain: [Sarcastic] Well, I hope the lady enjoyed it!
Elizabeth Curtis: [Ignores him]

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Connections

Featured in Challenge the Wilderness (1951)

User Reviews

Classic Adventure; Unpretentious, Epic in Feel, Plus a Mature Romance

When this production was mounted for Stewart Granger, with Deborah Kerr and Richard Carlson as his co-stars, no one could have imagined how imitated, influential and important the film would become. It has an epic quality about it that is earned by African on-site locales, fine cinematography and direction of the film, and the discovery-aspect of the narrative as the participants learn along about a fascinating continent and its people with the viewers. H. Rider Haggard's venerable novel find to b a curious mixture of Victorian angst, adventure, romance, mystery evoked by an expedition storyline. The fine acting by Stewart Granger as Alan Quartermain the white hunter, Deborah Kerr as a woman seeking her missing husband, Richard Carlson as her brother, and Hugo Haas as a back-sliding villain works exceptionally to increase the believability of the film. The simplest incident on this dangerous expedition--sitting down in the wrong place, turning over a leaf, wearing the wrong weight or textile of garment, cutting one's hair, hearing a sound, anything--can trigger a learning or a dangerous experience... This was a lavish MGM production, with participation by legendary artists and technicians such as Cedric Gibbons as art director, Edwin B. Willis as set decorator, Robert Surtees as cinematographer, Douglas Shearer in charge of sound and many others. But the real star of the film apart from the actors is Andrew Marton and Compton Bennett's realization of Helen Deutsch's interesting modernization of the original novel. Wjite hunter Alan Quartermain does not really care to live any longer; he has just seen one of his best "boys" die in a hunting accident, having been hired to please a bloodthirsty imperial's whim to kill wildlife; and Deborah Kerr comes along just then in need of a guide, trying to convince herself that she still cares about the cold husband who disappeared in search of a fabled treasure, the gold mines of King Solomon of Israel.. Obviously the two are ready to fall in love during the dangerous search for her lost mate, one that takes them into unknown country, among dangerous tribes, and into adventures that include helping a deposed seven-foot-tall monarch regain his throne by a rite of combat, incidentally saving their lives in the process. The most exciting sequence in the film is a grass fire that causes animals to stampede toward the expedition, who must taken shelter crouched low behind a makeshift low barrier; it has been imitated, never duplicated, and was later used in several other films. The film is occasionally leisurely, never dull; its makers play with time very intelligently. For once, the viewer gets the sense in a film of an arduous trek, of time passing, time for changes to happen and motivations for the same. The actors are grand, especially the mature intelligent leads; all-in-all, this simple storyline in the right hands was turned into what is all-but-universally acknowledge to be a classic adventure-romance.