Fortune hunter Allan Quatermain teams up with a resourceful woman to help her find her missing father lost in the wilds of 1900s Africa while being pursued by hostile tribes and a rival German explorer.
J. Lee Thompson
Three adventurers lead an expedition into darkest Africa in search of the treasure of King Solomon, and on the way encounter hostile natives, volcanoes, dinosaurs and a lost Phoenician city ruled by a beautiful queen.
Guide Allan Quatermain helps a young lady (Beth) find her lost husband somewhere in Africa. It's a spectacular adventure story with romance, because while they fight with wild animals and cannibals, they fall in love. Will they find the lost husband and finish the nice connection? Written by
Kornel Osvart <email@example.com>
Deborah Kerr landed her role in the film almost inadvertently when she expressed her wish to play the part of Rose in The African Queen (1951) to MGM production chief Dore Schary. Schary told her that Warner Bros. had the rights to The African Queen, but that he had a starring role for her in another African-set story that M-G-M owned. See more »
During the stampede scene, at first Quatarmain is firing his rifle to attempt to turn the terrified animals. When he exhausts the rifle's ammunition, he puts it down and pulls out his revolver. The next couple of shots, he's holding the rifle again. Then, he again has the revolver; after that, the shots switch between him holding each weapon several times. See more »
Mrs. Curtis, the average life of a man in my profession is approximately eight years. Now, I've been at it for fifteen, so you see, I've been living on borrowed time. My wife died here six years ago. Sooner or later, an animal, or an unfriendly native, or a tropical disease will get me. I have a son in England. There'll be very little money for him if anything should happen to me in the ORDINARY course of events, but the money you're offering would provide very nicely for the boy until he's old...
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Classic Adventure; Unpretentious, Epic in Feel, Plus a Mature Romance
When this production was mounted for Stewart Granger, with Deborah Kerr and Richard Carlson as his co-stars, no one could have imagined how imitated, influential and important the film would become. It has an epic quality about it that is earned by African on-site locales, fine cinematography and direction of the film, and the discovery-aspect of the narrative as the participants learn along about a fascinating continent and its people with the viewers. H. Rider Haggard's venerable novel find to b a curious mixture of Victorian angst, adventure, romance, mystery evoked by an expedition storyline. The fine acting by Stewart Granger as Alan Quartermain the white hunter, Deborah Kerr as a woman seeking her missing husband, Richard Carlson as her brother, and Hugo Haas as a back-sliding villain works exceptionally to increase the believability of the film. The simplest incident on this dangerous expedition--sitting down in the wrong place, turning over a leaf, wearing the wrong weight or textile of garment, cutting one's hair, hearing a sound, anything--can trigger a learning or a dangerous experience... This was a lavish MGM production, with participation by legendary artists and technicians such as Cedric Gibbons as art director, Edwin B. Willis as set decorator, Robert Surtees as cinematographer, Douglas Shearer in charge of sound and many others. But the real star of the film apart from the actors is Andrew Marton and Compton Bennett's realization of Helen Deutsch's interesting modernization of the original novel. Wjite hunter Alan Quartermain does not really care to live any longer; he has just seen one of his best "boys" die in a hunting accident, having been hired to please a bloodthirsty imperial's whim to kill wildlife; and Deborah Kerr comes along just then in need of a guide, trying to convince herself that she still cares about the cold husband who disappeared in search of a fabled treasure, the gold mines of King Solomon of Israel.. Obviously the two are ready to fall in love during the dangerous search for her lost mate, one that takes them into unknown country, among dangerous tribes, and into adventures that include helping a deposed seven-foot-tall monarch regain his throne by a rite of combat, incidentally saving their lives in the process. The most exciting sequence in the film is a grass fire that causes animals to stampede toward the expedition, who must taken shelter crouched low behind a makeshift low barrier; it has been imitated, never duplicated, and was later used in several other films. The film is occasionally leisurely, never dull; its makers play with time very intelligently. For once, the viewer gets the sense in a film of an arduous trek, of time passing, time for changes to happen and motivations for the same. The actors are grand, especially the mature intelligent leads; all-in-all, this simple storyline in the right hands was turned into what is all-but-universally acknowledge to be a classic adventure-romance.
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