Three adventurers lead an expedition into darkest Africa in search of the treasure of King Solomon, and on the way encounter hostile natives, volcanoes, dinosaurs and a lost Phoenician city ruled by a beautiful queen.
Allan Quatermain once again teams up with Jesse Huston where the discovery of a mysterious old gold piece sends Quatermain looking for his long-lost brother, missing in the wilds of Africa after seeking a lost white race.
James Earl Jones
Chris, slick adventurous grandson of legendary adventurer Allan Quatermain, searches for the mythical treasure of Alexander the Great with the help of a pretty German girl, while eluding a dangerous greedy gangster.
Thomas Ian Griffith,
Guide Allan Quatermain helps a young lady (Beth) find her lost husband somewhere in Africa. It's a spectacular adventure story with romance, because while they fight with wild animals and cannibals, they fall in love. Will they find the lost husband and finish the nice connection? Written by
Kornel Osvart <firstname.lastname@example.org>
The scene in which Deborah Kerr cuts her own hair and then cuts to her sunning with a perfectly coiffed hairstyle got such a big laugh at the initial screenings of the film that producers debated removing the scene. However, they couldn't figure out another way to explain Kerr's change of hairstyle, so they kept the improbable scenes intact. See more »
Throughout the movie Beth is wearing and not wearing her hat moment to moment. Noticeably when the jaguars attack and when the natives find the warning in the bushes. See more »
Aaron Copland believed great art goes hand in hand with simplicity. This movie is simple and great. I was browsing on the internet when I discovered some reviews of the R-1 DVD which heavily criticize the movie (and not just the DVD). I gave a quick look at IMDb to discover that, quite amazingly to me, the movie has only a 6.8 rating, that it has only been rated by less than a thousand viewers and that many viewer apparently found it boring. Let me just emphasize what should be obvious: this version of 'King Solomon's Mines' is not an action movie. It is probably best described as an invitation to Africa, combined with a reflexion on various aspects of what it means to be human. It many respects, it foreshadows and complements Clint Eastwood's 'White Hunter, Black Heart'.
Let me mention just one striking 'detail': what's going on on screen is SO fascinating that no music has been added to the various sounds emanating from the country or from the music instruments of the African people themselves. This was a daring move, especially at the time, but it enriched the movie enormously.
I will end this quick review with a piece of advice: Your mind should be as free as possible from everyday's life various troubles if you want to enjoy this movie. Pick up a night when you are already rather relaxed, and immerse yourself gently into the atmosphere created by the filmmakers. You won't regret it.
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