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The Killer That Stalked New York (1950)

Passed  |   |  Drama, Film-Noir, Thriller  |  1 December 1950 (USA)
6.4
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Ratings: 6.4/10 from 575 users  
Reviews: 20 user | 9 critic

Police seek a smuggler while doctors, unaware she's the same person, desperately comb unprotected New York for a smallpox carrier.

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(written for the screen by), (based upon a Cosmopolitan Magazine article by)
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Cast

Complete credited cast:
...
Charles Korvin ...
Matt Krane
William Bishop ...
Dr. Ben Wood
...
Alice Lorie
Lola Albright ...
Francie Bennet
Barry Kelley ...
Treasury Agent Johnson
Carl Benton Reid ...
Health Commissioner Ellis
Ludwig Donath ...
Dr. Cooper
Art Smith ...
Anthony Moss
...
Sid Bennet
...
Mayor of New York
Connie Gilchrist ...
Belle - the Landlady
Dan Riss ...
Skrip
Harry Shannon ...
Police Officer Houlihan
Edit

Storyline

Sheila Bennett returns to New York from Cuba, carrying $40,000 worth of smuggled diamonds...and smallpox, which could start a devastating epidemic in the unprotected city. Treasury agent Johnson loses her but keeps doggedly on the trail; while Public Health doctor Wood searches in vain for the unknown person spreading the deadly disease far and wide. Meanwhile, the increasingly ill Sheila is only concerned with her faithless husband Matt, who plans to abscond with the diamonds... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Plot Keywords:

doctor | smallpox | virus | smuggler | cuba | See All (51) »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

1 December 1950 (USA)  »

Also Known As:

Frightened City  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Encore-Mystery Library Print)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Goofs

When the city runs out of needles to inoculate people, the mayor demands that sewing needles be used. Sewing needles are not hollow, like medical needles, and would be useless for inoculations. See more »

Quotes

Sheila Bennet: I've been waiting for you Matt.
Matt Krane: I've got the stones.
Sheila Bennet: You're not going anywhere, Matt. You're not going anywhere again.
See more »

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User Reviews

 
Panic in the Streets it Ain't
29 July 2005 | by (Las Cruces, New Mexico) – See all my reviews

There must have been a sale on this storyline back in the 40's. An epidemic threatens New York (it's always New York) and nobody takes it seriously. Some might say that Richard Widmark and Jack Palance did it better in Panic in the Streets, but I disagree.

There is always something about these Poverty Row productions that really touch a nerve. The production values are never that polished and the acting is a little rough around the edges, but that is the very reason I think this movie and those like it are effective. Rough, grainy, edgy. And the cast. All 2nd stringers or A list actors past their prime. No egos here. These folks were happy to get the work. Whit Bissell, Carl Benton Reid, Jim Backus, Arthur Space, Charles Korvin, and the melodious voice of Reed Hadley flowing in the background like crude oil. By the way, I've been in the hospital a couple of times; how come my nurses never looked like Dorothy Malone? In these kind of movies they don't bother much with make-up and hair, but they really managed to turn Evelyn Keyes into a hag. Or maybe they just skipped the make-up and hair altogether. Anyway, it was pretty effective. She plays a lovesick jewel smuggler who picks up a case of Small Pox in Cuba while smuggling jewels back for ultra-villain Charles Korvin (who is boffing her sister in the meantime). You got the Customs Agents looking for her because of the jewels, and the Health Department looking for her because she's about to de-populate New York. No 4th Amendment rights here. Everybody gets hassled.

You gotta have the right attitude to enjoy a movie like this. I have a brother who scrutinizes movies to death. If they don't hold up to his Orson Wellian standards, he bombs them unmercifully. They must have the directorial excellence of a David Lean movie, the score of Wolfgang von Korngold, the Sound and Art of Douglas Shearer and Cedric Gibbons respectively. This ain't it.

But I have the right attitude, and if you do as well, you'll love this movie.


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