Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Mr. Neville, a cocksure young artist is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends ... See full summary »
Athos Magnani, a young researcher, returns to Tara, where his father was killed before his birth, at the request of Draifa. The father, also named Athos Magnani and looking exactly like the... See full summary »
A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can ... See full summary »
The setting is Vienna. A young American woman is brought to a hospital after overdosing on pills, apparently in a suicide attempt. A police detective suspects foul play on the part of her ... See full summary »
When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers.
In Ambricourt, a young Priest (Claude Laydu) arrives to be the local parish priest. The community of the small town does not accept him, and although having a serious disease in the stomach, the inexperienced and frail priest tries to help the dwellers, and has a situation with the wealthy family of the location. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Love is stronger than death. Your scriptures say so.
We did not invent love. It has its order, its law.
God is its master.
He is not the master of love. He is love itself. If you would love, don't place yourself beyond love's reach.
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The kind of integrity and faith so strong and real, it frightens even the church
A young priest has been assigned his first parish in a village somewhere in the North of France. Right from the first, essential opening shot in beautiful black and white, we instinctively get a sense of his isolation from any other human being. As the final credits rolled by, I don't know why I had the impulse to restart the DVD, and I watched the first 5 minutes of the movie again, realising just how much of a harbinger of extreme loneliness the opening frames are. Diary of a Country Priest is in good part about loneliness - the extreme physical, emotional and intellectual isolation of those who embark on an earnest mission, with an inability to compromise and a sincerity (with its resulting emotional vulnerability) which both frightens and repulses those who aren't ready to receive it. I was especially thankful to Bresson for having left us with a film about a priest which didn't involve his tiresome sexual issues in any shape or form - what a refreshing change! In the role of the young parish priest of Ambricourt, young Claude Laydu was in his debut role here - though he very occasionally shows his inexperience as an actor, he is nonetheless remarkable in the title role, and his sensitive, silently suffering, candid boyish face will remain with me for quite a while. It's extraordinary that such a movie, so completely devoid of any mass appeal or commercial potential, should have found someone willing to fund it. This kind of thing restores one's faith in the integrity and vision of certain cinematic enterprises.
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