Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Mr. Neville, a cocksure young artist is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends ... See full summary »
A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can ... See full summary »
The setting is Vienna. A young American woman is brought to a hospital after overdosing on pills, apparently in a suicide attempt. A police detective suspects foul play on the part of her ... See full summary »
When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers.
Athos Magnani, a young researcher, returns to Tara, where his father was killed before his birth, at the request of Draifa. The father, also named Athos Magnani and looking exactly like the... See full summary »
In Ambricourt, a young Priest (Claude Laydu) arrives to be the local parish priest. The community of the small town does not accept him, and although having a serious disease in the stomach, the inexperienced and frail priest tries to help the dwellers, and has a situation with the wealthy family of the location. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
How to do a religious film without mentioning God.
How does one write about religion without hardly even mentioning God? This masterpiece shows better than any other film that religion is not about God, but about us. Religion is a box into which we try to put God. As Voltaire said or wrote, "God has created us into His image , but we have returned the compliment." I am a deeply religious man, yet I have not set foot in a church for the past 30 years or so, except for marriages, baptisms, funerals and the like. In that sense, this is a deeply religious film. However, it is about religiosity, not strictly about religion. It is about the wife who will speak about the sins of her husband for an hour during confession, and where the priest has to interrupt her and tell her "Now that I have heard the confession of your husband, may I hear your own?" How such a movie could have been made by an avowed atheist is beyond me. In that sense, I feel a deep kinship with Robert Bresson and with the writer, Georges Bernanos. In short, this is a blue-blood MASTERPIECE !!! Buy it, steal it, rent it, lie for it, but see it, please !
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