A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them? Written by
Rod Crawford <firstname.lastname@example.org>
Henry Kesler is the name of the executive producer of the film, as well as Mildred's boyfriend in the movie. See more »
When Steele and Mildred exit the car on the way to his apartment door, Mildred is holding only her purse when they enter the complex gate. When they emerge after passing through the gate, she has the book and her purse. See more »
[with Laurel, listening to a singer in a bar]
The blues aren't about making you feel better; they're about making everybody else feel worse.
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Very briefly, if you love 'film noir', excellent writing, brilliant direction, powerful B&W imagery and inspired casting, IN A LONELY PLACE is waiting for you. The storyline and the characterizations are city street-smart and flawless. One of Bogart's very best!
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