8.0/10
18,912
152 user 109 critic

In a Lonely Place (1950)

Approved | | Drama, Film-Noir, Mystery | 19 June 1950 (UK)
A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts...

Director:

Writers:

(screenplay), (adaptation) | 1 more credit »
Reviews

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
1 win. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.

Director: Jacques Tourneur
Stars: Robert Mitchum, Jane Greer, Kirk Douglas
The Big Heat (1953)
Crime | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Tough cop Dave Bannion takes on a politically powerful crime syndicate.

Director: Fritz Lang
Stars: Glenn Ford, Gloria Grahame, Jocelyn Brando
The Big Sleep (1946)
Crime | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.

Director: Howard Hawks
Stars: Humphrey Bogart, Lauren Bacall, John Ridgely
Dark Passage (1947)
Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A man convicted of murdering his wife escapes from prison and works with a woman to try and prove his innocence.

Director: Delmer Daves
Stars: Humphrey Bogart, Lauren Bacall, Bruce Bennett
Key Largo (1948)
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A man visits his old friend's hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.

Director: John Huston
Stars: Humphrey Bogart, Edward G. Robinson, Lauren Bacall
Gilda (1946)
Drama | Film-Noir | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A small-time gambler hired to work in a Buenos Aires casino learns that his ex-lover is married to his employer.

Director: Charles Vidor
Stars: Rita Hayworth, Glenn Ford, George Macready
Adventure | Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

During World War II, American expatriate Harry Morgan helps transport a French Resistance leader and his beautiful wife to Martinique while romancing a sensuous lounge singer.

Director: Howard Hawks
Stars: Humphrey Bogart, Lauren Bacall, Walter Brennan
Certificate: Passed Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A major heist goes off as planned, until bad luck and double crosses cause everything to unravel.

Director: John Huston
Stars: Sterling Hayden, Louis Calhern, Jean Hagen
The Killers (1946)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Hit men kill an unresisting victim, and investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.

Director: Robert Siodmak
Stars: Burt Lancaster, Ava Gardner, Edmond O'Brien
Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician.

Director: Alexander Mackendrick
Stars: Burt Lancaster, Tony Curtis, Susan Harrison
Laura (1944)
Drama | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A police detective falls in love with the woman whose murder he is investigating.

Director: Otto Preminger
Stars: Gene Tierney, Dana Andrews, Clifton Webb
Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.

Director: Billy Wilder
Stars: Kirk Douglas, Jan Sterling, Robert Arthur
Edit

Cast

Complete credited cast:
...
...
...
...
Art Smith ...
...
...
...
...
...
...
Hadda Brooks ...
Edit

Storyline

Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

THE BOGART SUSPENSE PICTURE WITH THE SURPRISE FINISH - (original poster)


Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

19 June 1950 (UK)  »

Also Known As:

Behind the Mask  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

The film's original working title was Behind The Mask. See more »

Goofs

When he stands up after falling in Dixon's apartment, Charles has his jacket and tie untidy, and the top and middle buttons of his jacket are fastened. In the following shot when he is embracing Dixon, his jacket and tie are completely neat and only the top button is fastened. See more »

Quotes

Laurel Gray: [Entering kitchen as Dix is sectioning a grapefruit] What happened to the grapefruit knife?
Dixon Steele: It was crooked and I straightened it.
Laurel Gray: Fool, it's supposed to be curved!
Dixon Steele: What? Wonder what they'll think of next!
See more »

Connections

Edited into Dead Men Don't Wear Plaid (1982) See more »

Soundtracks

Either It's Love Or It Isn't
(uncredited)
Written by Doris Fisher and Allan Roberts
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Disturbing & Important
20 February 2001 | by (nyc) – See all my reviews

For all the praise film-noir is lavished with (quite a lot of it valid), the majority of it relies on convention as much as the standard white-picket-fence, happy-ending 'family' film does: just invert the

cliches and bathe them in deep-focus shadows. While this movie, on its surface, resembles the classic-style film noir of DOUBLE INDEMNITY, it's a whole different animal. No calculating evil females or tough guys masking hearts of gold populate IN A LONELY PLACE. It's a much more wrenching and powerfully disturbing film because the murder that draws the protagonists together turns out to be of peripheral importance, while the love story between Humphrey Bogart's troubled screenwriter and Gloria Grahame's B-actress spins inexorably towards damnation completely on its own power. The basic story has him a suspect in a killing and her in love with him yet unsure of his innocence, but director Nicholas Ray stages the proceedings so that WE see it's not the murder that disturbs her but her own conviction that his self-destructive and volatile nature will destroy them both. Yet, Ray never takes the easy way out of having Bogart turn monster on her. You care deeply about these people, hoping desperately (as Bogart's agent does in the film) that some transforming moment will come that will spare these people and allow their deeply felt love to flourish and heal them both, even as the evidence before your own eyes tells you there ain't no way. For 1950 -hell, for any year- such an unsentimental and uncompromising treatment of a tragic adult relationship is a terrible wonder to behold. The shadows suffusing this excellent film come not from UFA-influenced lighting but from moral and spiritual desolation, the death throes of old Hollywood, the coming of McCarthyism and the Black Dahlia murder of 1947. But most of all, they're projected from within the characters themselves. The finest work of Bogart, Grahame and Ray. Special note should be taken of Ray and Grahame, whose own deteriorating relationship formed the template for the doomed lovers; for them, this film is an act of great courage. Bogart himself has taken elements of all his previous romantic loners and blended them with the sour pigments of Fred C Dobbs; as the star and executive producer, his performance is unflinching in its honesty, and as fearless as Grahame and Ray. See this movie.


106 of 132 people found this review helpful.  Was this review helpful to you?

Contribute to This Page