Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them? Written by
Rod Crawford <firstname.lastname@example.org>
Gloria Grahame and husband/director Nicholas Ray quietly separated during filming, keeping it a secret for fear that one of them would be replaced. Ray slept on the studio set, saying that he needed to work late on preparation for the remainder of the film. It worked and nobody suspected that their marriage was on the rocks. See more »
In the Laurel's apartment, Mel talks with her about Dixon. In a certain moment he has his right arm by his side. Next shot he walks away with his right hand in the pocket. See more »
Fantastic film with Bogart at his very best. Gloria Grahame also gives one of her best performances.
The story concerns a Hollywood screenwriter (Bogart) who is suspected of being a murderer. Grahame, a neighbor, steps in to defend him she saw the murdered woman leave his apartment alone. Afterwards, they begin a relationship. But Bogart's nature is a violent one, and that violence keeps pushing forward. It makes Grahame rethink her earlier testimony, as well as fear for her own safety. It's quite a unique film for the time, one that actually deals with the possibility of an abusive man. Everything is perfectly done, and the script is wonderful. The film's tagline was 'The Bogart suspense picture with a surprise ending!' What is surprising about the ending is just how much weight it carries. 9/10.
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