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145 user 108 critic

In a Lonely Place (1950)

Approved | | Drama, Film-Noir, Mystery | 17 May 1950 (USA)
A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts...

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(screenplay), (adaptation) | 1 more credit »
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Cast

Complete credited cast:
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Carl Benton Reid ...
Art Smith ...
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Hadda Brooks ...
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Storyline

Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

THE BOGART SUSPENSE PICTURE WITH THE SURPRISE FINISH - (original poster)


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Details

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Release Date:

17 May 1950 (USA)  »

Also Known As:

Behind the Mask  »

Filming Locations:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

There is a moment in the trailer for the film that doesn't appear in the final cut. As Laurel is talking to the detective at the end of the film, Dix starts to leave. In the "lost moment," Laurel calls out Dix's name and they have one last embrace on the steps before he descends. See more »

Goofs

When Dixon and Laurel are in the car, the window glass of his left hand-side is up, but after he stops the car, in the shots from the left the window glass disappears. See more »

Quotes

[last lines]
Laurel Gray: [tearfully] I lived a few weeks while you loved me. Goodbye, Dix.
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Connections

Featured in Tales from the Script (2009) See more »

Soundtracks

I Hadn't Anyone Till You
(uncredited)
Written by Ray Noble
Performed by Hadda Brooks
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User Reviews

 
A brave and smart twist to the "man alone" theme...

There was a brave and smart twist to the 'man alone' theme in an unusually literate thriller which isolated its ambivalent hero having conflicting feelings inside his own negative personality... This man was not physically isolated as Robert Ryan ('Inferno') had been: he was an embittered Hollywood screenwriter who needed self-discipline and trust… The lonely place in which he was trapped was his own mind...

Perhaps some people thought Bogart over-acted, played the writer like a criminal aggressively apt to be easily offended... but he played his role well. No gangster this time, or cop, or private eye... He was a Hollywood screenwriter—strong, easily annoyed, depressed; his nerve-ends constantly steaming; living alone with his talent, his reputation and his typewriter; impulsive rather than strengthened by a diet of alcohol and nicotine… His savage temper was uncontrollable: anything, it seemed, could explode it; and his violence was more than merely verbal…

Bogart found himself capable of murder... He might have been anti-social... But the stress within him, reacting to the pressures without, built up so strongly that his rages, always near boiling point, became explosive... He hit people without good reason...

One watched the reactions of his dream girl, the beautiful blonde Gloria Grahame, and his two close friends... With them, one came to wonder if he was not really a murderer after all...


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