Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Matt Brennan runs into Jo Holloway, the Red Cross girl he romanced in Europe when he was a flyer in World War II, when he is offered a job by jet manufacturer Leland Willis as a test pilot.... See full summary »
Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them? Written by
Rod Crawford <email@example.com>
Robert Warwick and Humphrey Bogart worked together in 1922 in the stage play Drifting. Producer/star Bogart never forgot the kindness Warwick showed to him as a young actor and made Andrew Solt write a role for Warwick, who was then struggling. See more »
When Dixon supplies drinks for him and Mildred, we see him uncaps a bottle and spills in the glass. Between cuts the bottle appears capped before we see him capping it. In the subsequent shots he moves the same bottle from one place to another uncapped/capped. See more »
Considering that you've never met Mr. Steele, you pay quite a bit of attention to him.
Hmm-hmm. I have at that.
Do you usually give such attention to your neighbors?
Were you interested in Mr. Steele because he's a celebrity?
No, not at all. I noticed him because he looked interesting - I like his face.
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This is one of my all time favourite films, and (alongside the obvious - Casablanca, Maltese Falcon etc) my favourite Bogart.
The script is smart, witty and cynical, just like a typical Bogart character. But in this film Bogart plays probably his darkest character.
In some of the scenes with Gloria Graeme he's at his smooth, wisecracking, slightly irritable best, but in the moments where the anger and the fog of despair descends he is a more threatening character than in any of his other leading man roles.
The cynical, darker aspects of this film just go to highlight how few contemporary films are prepared to be so bleak.
Despite the fact that the plot is ostensibly a 'did he do it?' crime story, this is largely inconsequential to the psychological character and relationship study that is the central concern of the film.
If you like a cracking script with sharp performances, with all kinds of deep psychological observations on love and loneliness to be read into it, in the best noir tradition, this is the film for you.
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