In a Lonely Place (1950) 8.0
A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts... Director:Nicholas Ray |
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In a Lonely Place (1950) 8.0
A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts... Director:Nicholas Ray |
|
| Watch Trailer 0Share... |
| Complete credited cast: | |||
| Humphrey Bogart | ... | ||
| Gloria Grahame | ... | ||
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Frank Lovejoy | ... | |
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Carl Benton Reid | ... | |
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Art Smith | ... |
Agent Mel Lippman
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Jeff Donnell | ... | |
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Martha Stewart | ... | |
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Robert Warwick | ... |
Charlie Waterman
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Morris Ankrum | ... |
Lloyd Barnes
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William Ching | ... |
Ted Barton
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Steven Geray | ... |
Paul, Headwaiter
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Hadda Brooks | ... |
Singer
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Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them? Written by Rod Crawford <puffinus@u.washington.edu>
A scorching performance from Bogey makes this film a real classic, his Dixon Steele one of the great screen characters. In this more biting version of the plot of Hitchcock's suspense/comedy Suspicion, Bogart is a kind and loving screenwriter with a violent streak of temper waiting to break out and a taste for a drink or two, wooing Gloria Grahame's pretty young actress next door. The death of a young girlfriend of his hangs over him throughout the movie, as Graham at first believes him to be innocent, then later, having fallen for his charms, begins to suspect he may have had something to do with the girl's death after all, as his temper becomes more and more uncontrolled and frightening. The police circle around, making his nervous anger worse; the relationship begins to crumble into a mess of fear, lies and misunderstanding. Through all this Dixon Steele emerges as a great and brilliant creation, a highlight even in a career as illustrious as that of Bogart, a charming and witty man when happy, a black and vengeful man when roused to anger, a man of contradictions that only seems the more real, heroic, and ultimately tragic. Bogart's performance is brilliant, but the setting works well too, Grahame is great as the sassy girl he falls for, then frightens, the story chugs along at a fair lick, but allowing plenty of time for the many fun minor characters to develop well, and the script is a corker - wonderful stuff.