5.5/10
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6 user 6 critic

High Lonesome (1950)

Approved | | Western | 1 September 1950 (USA)
When a sudden spurt of murders occurs in the Big Bend country, suspicion immediately falls on a young drifter who just moved to the area.

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Cast

Complete credited cast:
...
Cooncat (as John Barrymore Jr.)
...
Boatwhistle, Ranch Cook
...
Pat Farrell
Lois Butler ...
Meagan Davis
...
Abby Davis
...
'Horse' Davis, Ranch Owner
...
Smiling Man
...
Roper
Frank Cordell ...
Frank
...
Dixie
Hugh Aiken ...
Art Simms
Howard Joslin ...
Jim Shell
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Storyline

When a sudden spurt of murders occurs in the Big Bend country, suspicion immediately falls on a young drifter who just moved to the area.

Plot Summary | Add Synopsis

Taglines:

THE UNKNOWN, THE UNSEEN...HAUNTED his footsteps...PERILED his life...DARED him to expose them! (original 3-sheet poster) See more »

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

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Release Date:

1 September 1950 (USA)  »

Also Known As:

A Vingança dos Mortos  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Soundtracks

20 Miles From Carson
by Chill Wills
Written by Chill Wills (uncredited) and Alan Le May (uncredited)
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User Reviews

 
Silly acting. Some of it is laughable
11 May 2005 | by (U.S.) – See all my reviews

Filmed by Eagle-Lion right after THE SUNDOWNERS (1950) near some of the same Amarillo locations and with returning cast members Chill Wills, Jack Elam and the 'star', gawky teenager John Drew Barrymore. No Robert Preston to give some weight to the film, this time.

Story boils down to a boy, "Cooncat" (Barrymore) running away from an abusive home and witnessing a murder committed by Elam and Dave Kashner. Only the local ranch owner Horse Davis (Basil Ruysdael) and his family don't believe him. They think Cooncat's seeing ghosts because Cooncat's describing some men that were killed during a range war 15 years previously. Of course there are no ghosts. Cooncat actually did see the murder. I won't give away the ending but lets just say it too is as anti-climatic as the THE SUNDOWNERS was.

This also suffers from some of the same disjointed editing that that earlier film had suffered from, as well as Barrymore doing his silly facial grimaces while he overacts his part. And the way John Archer treats his bride-to-be Kristine Miller, needs to be seen to be believed. He spanks her on the bottom for shooting down a pan off the wall in order to prove a point. Then they kiss and make up like nothing happened. UN-REAL. Obviously some of the details in the script weren't worked out for the audience ahead of time.

Also filmed in Technicolor with nice scenic West Texas locations, it's worth a look but it's not a keeper, in my opinion.

4 out of 10


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