This is the story of the crew of a downed bomber, captured after a run over Tokyo, early in the war. Relates the hardships the men endure while in captivity, and their final humiliation: ... See full summary »
A group of US Navy weathermen taking measurements in the Gobi desert in World War II are forced to seek the help of Mongol nomads to regain their ship while under attack from the Japanese ... See full summary »
Mike, a Hemingway-esque adventure novelist, is spending his days in a self-imposed exile somewhere in Central America. A reporter for Sight Magazine, Katie, has tracked him down in the hope... See full summary »
When a large forest fire breaks out in the mountains of Montana, a squad of 'Smoke Jumpers', the paratroop-corps of fire-fighters in the U. S. Forest Service, is flown to the scene from ... See full summary »
Joseph M. Newman
Sgt. Thorne Ryan, who once fought bravely in Korea, now serves as a hard-nosed drill instructor to new Army recruits at Fort Bliss, Texas. But is he really the man he is often described as?... See full summary »
Dave Jennings is a successful, self-made man in the business world, but he can't control his son, Gus, who is primarily a brat fond of throwing temper-tantrums and misbehaving. Dan enrolls ... See full summary »
The Marines attack a strongly held enemy island in the Pacific. We follow them from the beach to a Japanese rocket site through enemy infested jungle as their ex-school teacher leader is transformed into a battle veteran and his squad becomes a tight fighting unit. Written by
Derek Picken <firstname.lastname@example.org>
This movie's title is taken from the first opening line lyric of the Marine's Hymn, the official hymn of the United States Marine Corps. In turn, the phrase "Halls of Montezuma" in that hymn is taken from the September 1847 Mexican-American War's Battle of Chapultepec when American Marines attacked the Chapultepec Castle (Spanish: Castillo de Chapultepec) west of Mexico City and later occupied that city. The Chapultepec Castle is also known as the Halls of Montezuma. The castle was depicted in the movie Vera Cruz (1954) and was an actual filming location in the film Romeo + Juliet (1996). See more »
After Anderson sees Pretty Boy was shot dead, he stands up and shoulders his rifle under his arm, but the next camera shot shows his rifle behind his arm. See more »
Halls Of Montezuma is a busy, Technicolored war film circa 1950, and was a big hit in its day. The story-line, such as it is, is convoluted and not really worth going into. Basically the film is about the psychology of war and its effect on human relations, especially those created by the war itself. A good deal of the film, as I recall, takes place in caves, ditches and deserted buildings. Unlike most war films this one emphasizes the fact the most soldiers, even Marines, are made, not born; they all come from someplace and would like to return there, preferably in one piece. Lewis Milestone directed the picture, and while it is a far cry from his classic All Quiet On the Western Front, this film is no shabby piece of work. Richard Widmark heads a cast of future stars, and they all perform well, if a bit too strenuously at times. The actors tend to be grouped together a good deal, maybe to ensure that no one can outshine anyone else, and this, plus the emphasis on isolated settings, succeeds in making the film strangely intimate. The color is bright and often glaring, and the Pacific island setting well-rendered. It's worth mentioning as a footnote that the studio that made the picture, 20th Century-Fox, would soon be switching over to making almost exclusively CinemaScope films, and would also soon be dropping Technicolor for the cheaper De Luxe color. Their post CinemaScope product is for the most part vastly inferior than what they previously had been doing, and Halls Of Montezuma, while not a great film, shows, even today, just how beautiful Technicolor could be. This, plus the use of the square, tidy space movies were limited to in those pre-wide screen days, makes for a depth in perspective that is at times almost seductive, even in so grim a film as this.
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