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Halls of Montezuma (1950)

 -  Adventure | War | Drama  -  1951 (Chile)
6.7
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Ratings: 6.7/10 from 1,722 users  
Reviews: 23 user | 17 critic

A company of Marines races against the clock to find a Japanese rocket base.

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Title: Halls of Montezuma (1950)

Halls of Montezuma (1950) on IMDb 6.7/10

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Cast

Complete credited cast:
...
Lt. Anderson
...
Pigeon Lane (as Walter {Jack} Palance)
Reginald Gardiner ...
Sgt. Johnson
...
Coffman
...
Doc
Richard Hylton ...
Conroy
...
Lt. Col. Gilfillan
Skip Homeier ...
Pretty Boy
Don Hicks ...
Lt. Butterfield
...
Correspondent Dickerman
...
Slattery
...
Sgt. Zelenko
...
Whitney
Philip Ahn ...
Nomura
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Storyline

The Marines attack a strongly held enemy island in the Pacific. We follow them from the beach to a Japanese rocket site through enemy infested jungle as their ex-school teacher leader is transformed into a battle veteran and his squad becomes a tight fighting unit. Written by Derek Picken <dpicken@email.msn.com>

Plot Summary | Add Synopsis

Plot Keywords:

rocket | island | beach | jungle | battle | See more »

Taglines:

Action with the Battling Leathernecks! See more »

Genres:

Adventure | War | Drama | Action

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

1951 (Chile)  »

Also Known As:

Halls of Montezuma  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This movie's dedication seen during the opening credits states: "To the United States Marine Corps-This story is dedicated in gratitude for its help in making it possible-But most of all for its stalwart defense of all we hold dear to our lives, our people, and our future." See more »

Goofs

After Anderson sees Pretty Boy was shot dead, he stands up and shoulders his rifle under his arm, but the next camera shot shows his rifle behind his arm. See more »

Quotes

Sgt. Randolph Johnson: Wasn't there a comment by your General Sherman about war?
Lt. Butterfield: Yeah, he said, "War is Hell." What did he know, that eight-ball never left the States.
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Connections

Referenced in MASH (1970) See more »

Soundtracks

Long, Long Ago
Music by Thomas Haynes Bayley
Played during the landing craft scene
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User Reviews

Strangely intimate war movie
2 April 2001 | by (brighton, ma) – See all my reviews

Halls Of Montezuma is a busy, Technicolored war film circa 1950, and was a big hit in its day. The story-line, such as it is, is convoluted and not really worth going into. Basically the film is about the psychology of war and its effect on human relations, especially those created by the war itself. A good deal of the film, as I recall, takes place in caves, ditches and deserted buildings. Unlike most war films this one emphasizes the fact the most soldiers, even Marines, are made, not born; they all come from someplace and would like to return there, preferably in one piece. Lewis Milestone directed the picture, and while it is a far cry from his classic All Quiet On the Western Front, this film is no shabby piece of work. Richard Widmark heads a cast of future stars, and they all perform well, if a bit too strenuously at times. The actors tend to be grouped together a good deal, maybe to ensure that no one can outshine anyone else, and this, plus the emphasis on isolated settings, succeeds in making the film strangely intimate. The color is bright and often glaring, and the Pacific island setting well-rendered. It's worth mentioning as a footnote that the studio that made the picture, 20th Century-Fox, would soon be switching over to making almost exclusively CinemaScope films, and would also soon be dropping Technicolor for the cheaper De Luxe color. Their post CinemaScope product is for the most part vastly inferior than what they previously had been doing, and Halls Of Montezuma, while not a great film, shows, even today, just how beautiful Technicolor could be. This, plus the use of the square, tidy space movies were limited to in those pre-wide screen days, makes for a depth in perspective that is at times almost seductive, even in so grim a film as this.


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