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The Gunfighter (1950)

7.7
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Ratings: 7.7/10 from 6,059 users  
Reviews: 61 user | 23 critic

Notorious gunfighter Jimmy Ringo rides into town to find his true love, who doesn't want to see him. He hasn't come looking for trouble, but trouble finds him around every corner.

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(screenplay), (screenplay), 4 more credits »
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Nominated for 1 Oscar. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Helen Westcott ...
Peggy Walsh
...
Marshal Mark Strett
...
Molly
...
Mac
Skip Homeier ...
Hunt Bromley
Anthony Ross ...
Deputy Charlie Norris
...
Mrs. August Pennyfeather
...
Mrs. Devlin
...
Eddie
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Storyline

A reformed Gunfighter Jimmy Ringo is on his way to a sleepy town in the hope of a reunion with his estranged sweetheart and their young son who he has never seen. On arrival, a chance meeting with some old friends including the town's Marshal gives the repentant Jimmy some respite. But as always Jimmy's reputation has already cast its shadow, this time in the form of three vengeful cowboys hot on his trail and a local gunslinger hoping to use Jimmy to make a name for himself. With a showdown looming, the town is soon in a frenzy as news of Jimmy's arrival spreads. His movements are restricted to the saloon while a secret meeting with his son can be arranged giving him ideas of a long term reunion with his family far removed from his wild past. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

His only friend was his gun... His only refuge - a woman's heart! See more »

Genres:

Drama | Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 August 1950 (Sweden)  »

Also Known As:

Der Scharfschütze  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Screen Director's Playhouse" broadcast a 60 minute radio adaptation of the movie on June 7, 1951 with Gregory Peck reprising his film role. See more »

Goofs

When Jimmy Ringo goes into the hotel room to get the sniper with the winchester rifle, the lock on the door is just a handle. There is no mechanism to go into the jamb to allow the door to lock. See more »

Quotes

Marshal Mark Strett: Somebody after you?
Jimmy Ringo: Three somebodies.
Marshal Mark Strett: The law?
Jimmy Ringo: Naw, this is personal.
Marshal Mark Strett: I don't want 'em to catch up with you here.
Jimmy Ringo: I don't want 'em to catch up with me anywhere.
See more »

Connections

Featured in Troublesome Creek: A Midwestern (1995) See more »

Soundtracks

Beautiful Dreamer
(uncredited)
Composed by Stephen Foster
Played by the pianist at the bar
See more »

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User Reviews

 
Guns N' Roses
17 July 2006 | by (St. Paul, MN) – See all my reviews

Meet the western, deglamorized: gunslinging makes you feel guilty, your ex is a prudish school teacher too hung up on your trail of corpses to see you, the town where you've decamped is filled with half-witted bums, puritans, celebrity-gazers and a most unlikely marshal, and somewhere on your trail are three brothers of the dead smart ass who drew on you in the last town. Jesus, do you need a whiskey.

No ordinary genre film, "The Gunfighter" (1950) is both a hugely satisfying entertainment and a conventional studio film with surprising depths. The surprise comes from the nature of the western in the mid-century where, with few exceptions, the black-and-white morality plays are as plain as the gunfire. Not so here, where we get the treat of seeing Gregory Peck play an antihero who has stepped far outside of conventional morality and now wants readmission, even though the bloodstains won't wash out. Welcome to Ambiguiety Gulch.

It's tempting to say that "Gunfighter" looks forward to the spaghetti western, especially in its themes of alienation and social revulsion. Frankly, though, it feels less like a western and more like a film noir. The feeling of claustrophobia is always near, whether in Peck's fear of another violent summons or in subplots involving the closeted desires of various townspeople to kill him (one gritty sequence in a boarding room is more unsettling than anything in Hawks or Ford). Surfaces are untrustworthy, motivations questionable, psychological derangement hovers in the wings, the "law" is both more and less than it appears, and as characters make startling pacts with their bloody pasts you can almost sense the triumphalism of the post-war years turning to anxiety and dread.


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Coming on DVD? stevenwill
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