| Peggy Cummins | ... | Annie Laurie Starr | |
| John Dall | ... | Barton Tare | |
| Berry Kroeger | ... | Packett | |
| Morris Carnovsky | ... | Judge Willoughby | |
| Anabel Shaw | ... | Ruby Tare Flagler | |
| Harry Lewis | ... | Deputy Clyde Boston | |
| Nedrick Young | ... | Dave Allister | |
| Trevor Bardette | ... | Sheriff Boston | |
| Mickey Little | ... | Bart Tare (age 7) | |
| Russ Tamblyn | ... | Bart Tare (age 14) (as Rusty Tamblyn) | |
| Paul Frison | ... | Clyde Boston (age 14) | |
| David Bair | ... | Dave Allister (age 7) (as Dave Bair) | |
| Stanley Prager | ... | Bluey-Bluey | |
| Virginia Farmer | ... | Miss Wynn | |
| Anne O'Neal | ... | Miss Augustine Sifert | |
| Frances Irvin | ... | Danceland Singer (as Frances Irwin) | |
| Robert Osterloh | ... | Hampton Policeman | |
| Shimen Ruskin | ... | Cab Driver | |
| Harry Hayden | ... | Mr. Mallenberg | |
| rest of cast listed alphabetically: | |||
| Tony Barr | ... | Proprietor / Diner Cook (uncredited) | |
| Don Beddoe | ... | Man from Chicago (uncredited) | |
| Joseph Crehan | ... | Plant Foreman (uncredited) | |
| Eddie Dunn | ... | State Policeman on Phone (uncredited) | |
| Dick Elliott | ... | Man Running Out of Robbed Market (uncredited) | |
| Ross Elliott | ... | Detective (uncredited) | |
| Franklyn Farnum | ... | Cashier (uncredited) | |
| Pat Gleason | ... | Carnival Barker (uncredited) | |
| Arthur Hecht | ... | Ira Flagler (uncredited) | |
| George Lynn | ... | Holdup Victim (uncredited) | |
| William J. O'Brien | ... | Customer at Sharpshooting Act (uncredited) | |
| Jeffrey Sayre | ... | Court Clerk (uncredited) | |
| Ray Teal | ... | California Border Inspector (uncredited) | |
| Dale Van Sickel | ... | Meat Plant Guard (uncredited) | |
Directed by | |||
| Joseph H. Lewis | |||
Writing credits(WGA) | ||
| MacKinlay Kantor | (screenplay) and | |
| Dalton Trumbo | (screenplay) front Millard Kaufman | |
| MacKinlay Kantor | (story "Gun Crazy") | |
| Millard Kaufman | (front for Dalton Trumbo) | |
Produced by | |||
| Frank King | .... | producer | |
| Maurice King | .... | producer | |
Original Music by | |||
| Victor Young | |||
Cinematography by | |||
| Russell Harlan | (director of photography) | ||
Film Editing by | |||
| Harry W. Gerstad | (as Harry Gerstad) | ||
Production Design by | |||
| Gordon Wiles | |||
Set Decoration by | |||
| Raymond Boltz Jr. | |||
Makeup Department | |||
| Carla Hadley | .... | hair stylist (uncredited) | |
Production Management | |||
| Allen K. Wood | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Frank Heath | .... | assistant director (as Frank S. Heath) | |
Sound Department | |||
| Tom Lambert | .... | sound engineer | |
Stunts | |||
| Dale Van Sickel | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Lloyd Garnell | .... | gaffer (uncredited) | |
| Eddie Jones | .... | still photographer (uncredited) | |
| Harry Lewis | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Norma Koch | .... | wardrobe: Miss Cummins (as Norma) | |
Music Department | |||
| Sidney Cutner | .... | orchestrator | |
| Stuart Frye | .... | music editor | |
| Leo Shuken | .... | orchestrator | |
Other crew | |||
| Arthur Gardner | .... | assistant to producers | |
| Jack Herzberg | .... | continuity | |
| Herman King | .... | technical advisor | |
| Madeleine Robinson | .... | dialogue coach | |
| Al J. Jennings | .... | technical consultant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I have long been a fan of Film Noir. I consider this film to be unique and one of the best. The first and only time I saw it in a theater was in 1949 when I was 14. It was titled "Gun Crazy". I thought it was great but it didn't receive rave reviews or last long in hometown theaters. I understand they renamed it "Deadly Is The Female" in 1950 for its release in England, reason being that co-star Peggy Cummins was British and emphasizing the female star would be better box-office.
In the years that passed I wanted to see it again but it didn't appear on TV or later on any videotape that I knew of. In the 1983 Richard Geer film "Breathless" there is a chase scene where he is trying to escape by way of the stage behind a movie screen. On that screen was playing what I immediately recognized as "Gun Crazy". Over the years since then I have continued to look for the movie but was unable to find it. Less than a month ago I found it on DVD and purchased an excellent copy. I found that the movie is just as good as I remember it.
The film is essentially a story of a boy named Bart Tare (Russ Tamblyn) who loves guns for sport but refuses to harm any living being with them. After stealing one from a local store, he is caught and sent to a reformatory. The story continues four reformatory years plus one army hitch later when an adult Bart (John Dall) is discharged. He and some friends go to a cheap carnival where he sees and immediately falls for a trick shot artist, Annie Laurie Starr (Peggy Cummins). He beats her in a shooting contest but is offered a job in the act rather than the prize he was supposed to win.
Bart is unaware of her dark past, which includes hints of prostitution and the murder of a man in St. Louis. After a showdown with the jealous carnival owner they run off together and get married. When their money runs out, Bart wants to get a job but Annie Laurie's mind runs in a different direction, armed robbery. Reluctantly, Bart gives in and they set off on a spree of low paying stickups. By this time, Bart is increasingly aware that Annie Laurie has homicidal tendencies that he is barely able to keep under control. They plan a big-time robbery during which she kills two people without his knowledge. The rest of the movie deals with their flight from justice and ultimate payment for their crimes. In all, it is a classic scenario of "Bad Girl" leads a "Good Boy" into evil.
Personal opinion is that John Dall did a better acting job in this movie than he did in "Rope". In a bit of self-analysis I must admit that I have long been fascinated by "Wicked Women". This movie alone placed Peggy Cummins among my favorite "femme fatales", which included the queen of mean, Barbara Stanwyck, Marlene Dietrich, Beverly Michaels and other notables.
If you like classic film noir, it is a good movie to remember and see again.