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Gun Crazy (1950)
"Deadly Is the Female" (original title)

Passed  -  Crime | Drama | Film-Noir  -  20 January 1950 (USA)
7.7
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Ratings: 7.7/10 from 6,874 users  
Reviews: 86 user | 50 critic

A well meaning crack shot husband is pressured by his beautiful marksman wife to go on an interstate robbery spree, where he finds out just how depraved and deadly she really is.

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(screenplay), (screenplay), 2 more credits »
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Title: Gun Crazy (1950)

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Cast

Cast overview, first billed only:
...
...
Barton Tare
Berry Kroeger ...
Morris Carnovsky ...
Anabel Shaw ...
Ruby Tare Flagler
...
Nedrick Young ...
Trevor Bardette ...
Sheriff Boston
Mickey Little ...
...
Bart Tare (age 14) (as Rusty Tamblyn)
Paul Frison ...
David Bair ...
Dave Allister (age 7) (as Dave Bair)
Stanley Prager ...
Bluey-Bluey
Virginia Farmer ...
Miss Wynn
Anne O'Neal ...
Miss Augustine Sifert
Edit

Storyline

Since he was a child, Bart Tare has always loved guns. After leaving the army, his friends take him to a carnival, where he meets the perfect girl, Annie, a sharp-shooting sideshow performer who loves guns as much as he. The two run off and marry, but Annie isn't happy with their financial situation, so at her behest the couple begins a crosscountry string of daring robberies. Never one to use guns for killing, Bart is dragged down into oblivion by the greedy and violent nature of the woman he loves. Written by Martin Lewison <lewison+@pitt.edu>

Plot Summary | Plot Synopsis

Taglines:

Her Violent Loves! Her Vicious Crimes! Her Wild Escapes! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

20 January 1950 (USA)  »

Also Known As:

Gun Crazy  »

Box Office

Budget:

$400,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The bank heist sequence was done entirely in one take, with no one outside the principal actors and people inside the bank aware that a movie was being filmed. When John Dall as Bart Tare says, "I hope we find a parking space," he really meant it, as there was no guarantee that there would be one. In addition, at the end of the sequence someone in the background screams that there's been a bank robbery - this was actually a bystander who saw the filming and assumed the worst. See more »

Goofs

A shot from inside a sedan that Annie is driving shows a nameplate logo on the dashboard that says "Kaiser", but the only cars they are seen driving are the stolen Cadillac, a Packard convertible, a Chevy convertible, what appears to be an old Ford or Mercury convertible and a Ford sedan. See more »

Quotes

Bart: Two people dead, just so we can live without working!
See more »

Connections

Referenced in Swoon (1992) See more »

Soundtracks

Laughing on the Outside (Crying on the Inside)
(uncredited)
Music by Bernie Wayne
Lyrics by Ben Raleigh
Sung by Frances Irvin at the dance club
See more »

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User Reviews

 
Quintessential film-noir
30 January 2006 | by (Padova, Italy) – See all my reviews

What is the quintessence of a film-noir? A good answer is: an evil strong woman that manipulates a weak, although basically decent, man, involving him in a crazy love, doomed to a tragic ending. Then we can safely state that "Deadly is the Female" is a perfect instance of film-noir.

The movie has outstanding merits. The cinematography, and especially the camera-work are excellent, and comparable to the best achievements in the film-noir genre. Justly celebrated are the scenes filmed with the camera inside the car, like that of the bank shot in Hampton, a true cinematic gem. John Dall and Peggy Cummins, in the roles of the doomed lovers Bart and Annie Laurie, make a great job. The story starts slowly (a minor drawback), but as soon as the two lovers cross the border of legality, the movie acquires a quick, exciting and ruthless pace and presents a powerful finale.

The psychology of Bart and Annie Laurie is studied with care. Annie Laurie is a systematic liar. With Bart she always looks sweet, deeply in love, even subdued to her man. To justify her shootings and murders, she always whines with Bart that she had lost her nerves, that she was scared. But when Bart is not present, the viewer gets from her body language and the cruel expression of her eyes that she just loves to kill. Great job by Peggy Cummins.

So does Laurie just make use of Bart for her dirty purposes, to satisfy her own depravity? Not at all. Oddly enough, in another famous scene we see that Laurie really loves Bart with all her heart. Only, she is bad and cruel, that's her inner core. And is Bart so stupid and bewitched not to realize that Laurie is going to ruin him? No, he knows it, and he deeply suffers, but ultimately he doesn't care. Only Laurie counts. Desperately crazy love... how fascinating! (at least in a film-noir).

The script offers several memorable lines, and the many subtleties give realism to the story. For instance, Bart and Laurie are not professional criminals, and they show it when they carelessly spend "hot" money, which will cost them dearly.

"Deadly is the Female" is an excellent film, a relevant nugget in the film-noir gold mine. Highly recommended.


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Very good in all respects, except casting! bernon
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