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Gun Crazy (1950)
"Deadly Is the Female" (original title)

Passed  -  Crime | Drama | Film-Noir  -  20 January 1950 (USA)
7.7
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Ratings: 7.7/10 from 6,742 users  
Reviews: 85 user | 47 critic

A well meaning crack shot husband is pressured by his beautiful marksman wife to go on an interstate robbery spree, where he finds out just how depraved and deadly she really is.

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Cast

Cast overview, first billed only:
...
...
Barton Tare
Berry Kroeger ...
Morris Carnovsky ...
Anabel Shaw ...
Ruby Tare Flagler
...
Nedrick Young ...
Trevor Bardette ...
Sheriff Boston
Mickey Little ...
...
Bart Tare (age 14) (as Rusty Tamblyn)
Paul Frison ...
David Bair ...
Dave Allister (age 7) (as Dave Bair)
Stanley Prager ...
Bluey-Bluey
Virginia Farmer ...
Miss Wynn
Anne O'Neal ...
Miss Augustine Sifert
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Storyline

Since he was a child, Bart Tare has always loved guns. After leaving the army, his friends take him to a carnival, where he meets the perfect girl, Annie, a sharp-shooting sideshow performer who loves guns as much as he. The two run off and marry, but Annie isn't happy with their financial situation, so at her behest the couple begins a crosscountry string of daring robberies. Never one to use guns for killing, Bart is dragged down into oblivion by the greedy and violent nature of the woman he loves. Written by Martin Lewison <lewison+@pitt.edu>

Plot Summary | Plot Synopsis

Taglines:

Her Violent Loves! Her Vicious Crimes! Her Wild Escapes! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

20 January 1950 (USA)  »

Also Known As:

Gun Crazy  »

Box Office

Budget:

$400,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Bart Tare and Laurie Starr are modeled on the infamous Depression-era bandits Clyde Barrow and Bonnie Parker, who are also the subjects of Bonnie and Clyde (1967), You Only Live Once (1937) and The Bonnie Parker Story (1958). See more »

Goofs

The sheriff takes his arm off the back of the bench twice. See more »

Quotes

Annie Laurie Starr: I want a lot of things - big things!
See more »

Connections

Referenced in Exhumed (2003) See more »

Soundtracks

Mad About You
Music by Victor Young
Lyrics by Ned Washington
Sung by Frances Irvin
See more »

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User Reviews

 
Fine Precursor to "Bonnie and Clyde"
8 November 2005 | by (United States) – See all my reviews

The original title of "Gun Crazy" was "Deadly Is the Female," and they ain't kidding. If you thought Faye Dunaway's Bonnie Parker was the more ruthless member of the crime duo that gave Arthur Penn's 1967 film its name, wait till you get a load of Peggy Cummins's Annie in this little known cheapie from 1949. I wouldn't want to get on this woman's bad side; she can shoot cigarettes out of people's mouths, for God's sake.

"Gun Crazy" is such an obvious influence on Penn's "Bonnie and Clyde" that I can't believe the later film doesn't credit it directly. Though the 1949 film is based on a short story that appeared in the "Saturday Evening Post" and the 1967 film worked with an original screenplay, both films could have been adapted from the same source. They portray the Annie/Bonnie character as bored and restless, turned on by the thought of crime and by a manly man who can really use his "gun." The Bart/Clyde character is tickled by the idea of being a virile stud in the eyes of his lover, but is ultimately too sensitive for the life they choose. And both films do a good job of portraying the desperation that plagues both couples, the isolation and loneliness they create for themselves and can never break out of, and the ultimate futility of their actions, since the "law" is going to catch up with them sooner or later.

Peggy Cummins is really good in this. I don't know what else she's been in, but her baby-doll voice creates an effective contrast to her colder-than-ice attitude. She's crooning into her lover's ear one minute and itching to kill someone the next. And you have to dig those French-inspired fashions that would cause a sensation nearly 20 years later when Dunaway donned them again for Penn's film.

I thought John Dall was at first odd casting for the role of Bart. Annie is supposed to think of him as a man's man, and Dall, with his willowy physique and gentle mannerisms is far from that. But then when we realize that he's at heart really too gentle for the life he and Annie have chosen for themselves, his casting makes sense.

There are some small touches to this film that really add to its immediacy and realism. I loved the scenes of Annie and Bart driving to and from their heist jobs, shot from the back seat of the car as if we are a member of their gang. They have really funny and natural banter back and forth about where to park, etc. which I have to believe was improvised to some extent. The ending of the film, a face off in a creepy swamp, is eerie, and there's a small twist in the last seconds of the film that might be easy to miss but may give you some things to think about if you catch it.

It's interesting, and rather depressing, that one of the main themes of this film is the obsession with guns and violence that pervaded the country nearly 60 years ago, and here we are a handful of wars later, still dragging around the same old obsessions. Michael Moore's recent documentary "Bowling for Columbine" could have just as easily been called "Gun Crazy," if that title weren't already taken by this forgotten little blast of a movie.

Grade: A-


36 of 41 people found this review helpful.  Was this review helpful to you?

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Very good in all respects, except casting! bernon
Could You See A Remake With... mozartmessiah
PEGGY CUMMINS/GUN CRAZY BG43214
it's called GUN CRAZY lord-quas
Is Frances Irwin really Debbie Reynolds? hipdadiddy
The shooting match at the carnival mozartmessiah
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