| Photos (See all 11 | slideshow) |
| Jimmy Durante | ... | Mr. Louie Amendola | |
| Terry Moore | ... | Rosalinda Amendola | |
| Tom Drake | ... | Peter 'Pete' Dingle | |
| Frank Orth | ... | Mr. Frank Dingle | |
| Sara Haden | ... | Mrs.Katie Dingle | |
| Queenie Smith | ... | Mrs. Amendola | |
| Chick Chandler | ... | Phil Davis | |
| Jimmy Conlin | ... | Joe Mahoney | |
| Rupert | ... | Himself the Squirrel | |
| Hugh Sanders | ... | Mulligan | |
| Don Beddoe | ... | Mr. Haggerty (as Donald T. Beddoe) | |
| Candy Candido | ... | Molineri - Florist | |
| Clancy Cooper | ... | Police Lt. Saunders | |
| Harold Goodwin | ... | Callahan - F.B.I. Man | |
| Frank Cady | ... | Mr. Taney - Tax Investigator | |
| rest of cast listed alphabetically: | |||
| Lester Dorr | ... | Eddie, the Bartender (uncredited) | |
| Kenner G. Kemp | ... | Passerby in Park (uncredited) | |
| Frank Marlowe | ... | Dave the Mailman (uncredited) | |
| Torben Meyer | ... | Mr. Petrushka the Baker (uncredited) | |
| Ralph Montgomery | ... | Fireman (uncredited) | |
| Irving Pichel | ... | Puzzled Pedestrian (uncredited) | |
| Harry Strang | ... | Fire Chief (uncredited) | |
Directed by | |||
| Irving Pichel | |||
Writing credits | ||
| László Vadnay | (screenplay) (as Laslo Vadnay) | |
| James O'Hanlon | (additional dialogue) and | |
| Harry Crane | (additional dialogue) | |
| Ted Allen | (story) | |
Produced by | |||
| George Pal | .... | producer | |
Original Music by | |||
| Leith Stevens | |||
Cinematography by | |||
| Lionel Lindon | (director of photography) | ||
Film Editing by | |||
| Duke Goldstone | |||
Production Design by | |||
| Ernst Fegté | |||
Set Decoration by | |||
| Joseph Kish | |||
Makeup Department | |||
| Flora James | .... | hair stylist | |
| Harry Ray | .... | makeup artist | |
Production Management | |||
| Lewis J. Rachmil | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Harold Godsoe | .... | assistant director | |
Sound Department | |||
| William H. Lynch | .... | sound (as William Lynch) | |
Visual Effects by | |||
| Barry B. Sandrew | .... | visual effects producer (uncredited) | |
Camera and Electrical Department | |||
| Maurice Goldberg | .... | still photographer (uncredited) | |
| B.P. Jacques | .... | grip (uncredited) | |
| Stanley Williams | .... | gaffer (uncredited) | |
| Lothrop B. Worth | .... | camera operator (uncredited) | |
Animation Department | |||
| Fred Madison | .... | animator: "Rupert" (uncredited) | |
Costume and Wardrobe Department | |||
| Helen Rachmil | .... | costume stylist | |
Music Department | |||
| Buddy Kaye | .... | songs | |
| Fred Spielman | .... | songs | |
| Clarence Wheeler | .... | orchestrator | |
Other crew | |||
| John S. Abbott | .... | technical supervisor (as John Abbott) | |
| Miles E. Pike | .... | technician (as Miles Pike) | |
| Curly Twiford | .... | animal trainer | |
| Giby Whitlock | .... | script supervisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Like BEYOND TOMORROW (1940; see my comments to that film), this is another little-known Yuletide flick which has been saved from public domain, colorized and retitled on its Fox DVD; in fact, not only was this originally shot in black-and-white but was named THE GREAT RUPERT after the amiable puppet of a kilt-wearing dancing squirrel who helps to realize the impoverished protagonists' recurring Christmas wish. In fact, Rupert proved to be the first creature animated for a feature-length film by famed sci-fi producer George Pal and is also notable as one of big-nosed multi-talented entertainer Jimmy Durante's best film vehicles.
The story starts with down-and-out animal trainer Jimmy Conlin being evicted from his ramshackle apartment by miserly landlord Frank Orth but Conlin's squirrel soon returns to Conlin's old hide which is already occupied by the equally penniless acrobatic trio, the Amendolas played by Durante, Queenie Smith and Terry Moore. Predictably enough, Orth's ne'r-do-well musician son Tom Drake falls for Moore but is soon driven to distraction by the unwarranted attention the latter is receiving from visiting Broadway agent Don Beddoe looking to re-engage Conlin for his act. Meanwhile, Rupert himself is getting annoyed with Mr. Orth's storing his weekly stash of cash in his wooden house...
Although George Pal's puppet effects are nicely enough done, "Schnozzle" Durante is practically the whole show here and, typically, he has a couple of numbers featuring his eccentric singing-and-piano-playing style. Actor/director Irving Pichel who, apparently, also appears in the film as a "puzzled pedestrian" hands the light material quite competently which makes this unassuming concoction a gently pleasing alternative to the usual Christmas fare.