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A young girl from the ghetto gets involved with some criminals. Driving while drunk, she knocks down and kills a policeman. She runs away with two GI's who are also on the run and they start a crime wave. Written by
Steve Crook <firstname.lastname@example.org>
The film starts with Diana Dors being told the story of a girl gone bad in attempt to sway her from a similar fate, while a few years later she would be portraying such a girl in Yield To The Night/Blond Sinner. See more »
Rather special, a terrific Jean Kent, and scene after faulous scene in post-war Britain
Good Time Girl (1948)
This movie has so many turns and developments it's hard to remember everything by the time you get to the sensational terrible end. A girl leaves home to escape her father's beatings and one thing leads to another down the line. It's post-war England, and there are fun echoes of similar post-war American movies, complete with thugs and nightclubs and G.I.s on the lam.
This leading actress Jean Kent starts off seeming a little strained, and you should make sure you give the movie a chance. It only gets better as it goes. It never quite strains credibility even though the events gets pretty unsavory. The photography, much of it at night, is vivid and fluid, the acting generally excellent, and the strength of ideas is wonderful.
This really is a harrowing tale of social mis-steps all along. It's meant to be a cautionary tale, too. Literally. It's all told in a flashback to another young woman who is about to repeat the fate of the main character. Kent turns out to be pretty amazing in this film, ranging through several phases of her young life on camera--from innocent girl to hardened juvenile to a kind of moll without a gang.
I liked it a lot.
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